Zeus the Tragedian (39-41)

Probably those in which he speaks of Zeus, and tells how his daughter and his brother and his wife plotted to put him in irons. And if Thetis had not perceived what was going on and called Briareos, our glorious Zeus would have been seized and tied up. It was in return for this and to repay his obligation to Thetis that he deceived Agamemnon by sending him a false dream for the destruction of many Greeks. Notice that he was unable to launch a thunderbolt

and burn up Agamemnon himself, but must assume the role of cheat. Or was conviction forced upon you chiefly when you heard how Diomedes wounded Aphrodite and then Ares himself at the suggestion of Athene, and how the gods themselves fell to after a little and fought duels indiscriminately, gods and goddesses together, and how Athene overcame Ares because, I imagine, he was weak from the wound he had already got from Diomedes, and Or did the account of Artemis strike you as convincing, telling how her discontented nature was angered because Oineus did not ask her to his banquet, and how, accordingly, she let loose upon his land a certain boar of surpassing size and irresistible strength? Was it, then, by such narratives as these that Homer convinced you?

Zeus

Alas, alack! What an outcry the crowd made, deities, applauding Damis! And our man seems to have lost his head. He is frightened, certainly, and trembling, and on the point of throwing away his shield. He is already looking about for some loop-hole through which he can slip and make his escape.

Timokles

Perhaps you do not think that Euripides says anything sound, either, when he introduces the gods themselves upon the stage and shows them engaged in saving the good among

the heroes, but destroying the wicked and impiety like yours?

Damis

But, most illustrious of philosophers, if the dramatists have convinced you by such means as that, one of two things follows. Either you believe the actors to be for the moment gods, or else the divine masks themselves, and the shoes, and the tunics flowing to the feet, and the cloaks, and the loose sleeves, and the false paunches, and the padding, and all the rest of the apparatus which makes the tragedy impressive, which is most ridiculous, I think. But whenever Euripides speaks his own mind, unforced by the exigencies of the dramas, hear how bold he is:

and again, and other similar passages.