Nero (53-55)

He had likewise great taste for drawing and painting, as well as for moulding statues in plaster. But, ab've all things, he most eagerly 'oveted popularity, beinighe rival of every man who obtained the applause of the people for anything he did. It was the general belief, that, after the crowns he won by his performances on the stage, he would the next lustrum have taken his place among the wrestlers at the Olympic games. For he was continually practising that art; nor did he witness the gymnastic games in any part of Greece otherwise than sitting upon the ground in the stadium, as the umpires do. And if a pair of wrestlers happened to break the bounds, he would with his own hands drag them back into the centre of the circle. Because he was thought to equal Apollo in music, and the sun in chariot-driving, he resolved also to imitate the achievements of Hercules. And they say that a lion was got ready for him to kill, either with a club, or with a close hug, in view of the people in the amphitheatre; which he was to perform naked.

Towards the end of his life, he publicly vowed, that if his power in the state was securely re-established, he would, in the spectacles which he intended to exhibit in honour of his success, include a performance upon organs, [*] as well as upon flutes and bagpipes, and, on the last day of the games, would act in the play, and take the part of Turnus, as we find it in Virgil. And there are some who say, that he put to death the player Paris as a dangerous rival.

He had an insatiable desire to immortalize his name, and acquire a reputation which should last through all succeeding ages; but it was capriciously directed. He therefore took from several things and places their former appellations, and gave them new names derived from his own. He called the month of April, Neroneus, and designed changing the name of Rome into that of Neropolis.