Concerning music (41-44)

In brief therefore, a rational person will not blame the sciences themselves, if any one make use of them amiss, but will adjudge such a failing to be the error of those that abuse them. So that whoever he be that shall give his mind to the study of music in his youth, if he meet with a musical education, proper for the forming and regulating his inclinations, he will be sure to applaud and embrace that which is noble and generous, and to rebuke and blame the contrary, as well in other things as in what belongs to

music. And by that means he will become clear from all reproachful actions, for now having reaped the noblest fruit of music, he may be of great use, not only to himself but to the commonwealth; while music teaches him to abstain from every thing indecent both in word and deed, and to observe decorum, temperance, and regularity.

Now that those cities which were governed by the best laws took care always of a generous education in music, many testimonies may be produced. But for us it shall suffice to have instanced Terpander, who appeased a sedition among the Lacedaemonians, and Thaletas the Cretan, of whom Pratinas writes that, being sent for by the Lacedaemonians by advice of the oracle, he freed the city from a raging pestilence. Homer tells that the Grecians stopped the fury of another noisome pestilence by the power and charms of the same noble science:—

With sacred hymns and songs that sweetly please,

The Grecian youth all day the Gods appease.

Their lofty paeans bright Apollo hears,

And still the charming sounds delight his ears.

These verses, most excellent master, I thought requisite to add as the finishing stone to my musical discourse, which were by you cited before[*] to show the force of harmony. For indeed the chiefest and sublimest end of music is the graceful return of our thanks to the Gods, and the next is to purify and bring our minds to a sober and harmonious temper. Thus, said Soterichus, most excellent master, I have given you what may be called an encyclic discourse of music.

Nor was Soterichus a little admired for what he had spoken, as one that both by his countenance and speech had shown his zeal and affection for that noble science. After all, said Onesicrates, I must needs applaud this in both of you, that you have kept within your own spheres

and observed your proper limits. For Lysias, not insisting any further, undertook only to show us what was necessary to the making a good hand, as being an excellent performer himself. But Soterichus has feasted us with a discovery of the benefit, the theory, the force, and right end of music. But one thing I think they have willingly left for me to say; for I cannot think them guilty of so much bashfulness that they should be ashamed to bring music into banquets, where certainly, if anywhere, it cannot but be very useful, which Homer also confirms to be true:—

Song and the merry dance, the joy of feasts.

[*]

Not that I would have any one believe from these words, that Homer thought music useful only for pleasure and delight, there being a profounder meaning concealed in the verse. For he brought in music to be present at the banquets and revels of the ancients, as believing it then to be of greatest use and advantage to repel and mitigate the inflaming power of the wine. To which our Aristoxenus agrees, who alleges that music was introduced at banquets for this reason, that as wine intemperately drunk weakens both the body and mind, so music by its harmonious order and symmetry assuages and reduces them to their former constitution. And therefore it was that Homer reports that the ancients made use of music at their solemn festivals.

But for all this, my most honored friends, methinks you have forgot the chiefest thing of all, and that which renders music most majestic. For Pythagoras, Archytas, Plato, and many others of the ancient philosophers, were of opinion, that there could be no motion of the world or rolling of the spheres without the assistance of music, since the Supreme Deity created all things harmoniously. But

it would be unseasonable now to enter upon such a discourse, especially at this time, when it would be absurd for Music to transgress her highest and most musical office, which is to give the laws and limits of time and measure to all things. Therefore after he had sung a paean, and offered to Saturn and his offspring, with all the other Gods and the Muses, he dismissed the company.