| Refs | {'start': {'reference': '4.14', 'human_reference': 'Chapter 4 Subchapter 14'}, 'end': {'reference': '4.18', 'human_reference': 'Chapter 4 Subchapter 18'}} |
|---|---|
| Ancestors | [{'reference': '4'}] |
| Children | [] |
| At | 1 | w | 2 |
| any | 1 | w | 5 |
| rate | 1 | w | 9 |
| it | 1 | w | 11 |
| originated | 1 | w | 21 |
| in | 2 | w | 23 |
| improvisation | 1 | w | 36 |
| both | 1 | w | 41 |
| tragedy | 1 | w | 48 |
| itself | 1 | w | 54 |
| and | 1 | w | 57 |
| comedy | 1 | w | 63 |
| The | 1 | w | 67 |
| one | 1 | w | 70 |
| came | 1 | w | 74 |
| from | 1 | w | 78 |
| the | 1 | w | 81 |
| prelude | 1 | w | 88 |
| Before | 1 | w | 94 |
| the | 2 | w | 97 |
| chorus | 1 | w | 103 |
| began | 1 | w | 108 |
| or | 4 | w | 111 |
| in | 3 | w | 113 |
| pauses | 1 | w | 119 |
| between | 1 | w | 126 |
| their | 1 | w | 131 |
| songs | 1 | w | 136 |
| the | 4 | w | 140 |
| leader | 1 | w | 146 |
| of | 1 | w | 148 |
| the | 5 | w | 151 |
| performance | 1 | w | 162 |
| would | 1 | w | 167 |
| improvise | 1 | w | 176 |
| some | 1 | w | 180 |
| appropriate | 1 | w | 191 |
| tale | 1 | w | 195 |
| or | 6 | w | 197 |
| state | 1 | w | 202 |
| the | 6 | w | 205 |
| theme | 1 | w | 210 |
| which | 1 | w | 215 |
| they | 1 | w | 219 |
| were | 1 | w | 223 |
| to | 1 | w | 225 |
| elaborate | 1 | w | 234 |
| Thus | 1 | w | 239 |
| he | 10 | w | 241 |
| was | 1 | w | 244 |
| called | 1 | w | 250 |
| ὁ | 1 | w | 251 |
| ἐξάρχων | 1 | w | 258 |
| or | 8 | w | 260 |
| the | 9 | w | 263 |
| starter | 1 | w | 270 |
| and | 2 | w | 274 |
| became | 1 | w | 280 |
| in | 4 | w | 282 |
| time | 1 | w | 286 |
| the | 10 | w | 289 |
| first | 1 | w | 294 |
| actor | 1 | w | 299 |
| to | 3 | w | 302 |
| the | 11 | w | 305 |
| dithyramb | 1 | w | 314 |
| and | 3 | w | 317 |
| the | 12 | w | 320 |
| other | 1 | w | 325 |
| from | 2 | w | 329 |
| the | 14 | w | 332 |
| prelude | 2 | w | 339 |
| to | 4 | w | 341 |
| the | 15 | w | 344 |
| phallic | 1 | w | 351 |
| songs | 2 | w | 356 |
| which | 2 | w | 361 |
| still | 1 | w | 366 |
| survive | 1 | w | 373 |
| as | 2 | w | 375 |
| institutions | 1 | w | 387 |
| in | 6 | w | 389 |
| many | 1 | w | 393 |
| cities | 1 | w | 399 |
| Tragedy | 1 | w | 407 |
| then | 1 | w | 411 |
| gradually | 1 | w | 420 |
| evolved | 1 | w | 427 |
| as | 3 | w | 429 |
| men | 1 | w | 432 |
| developed | 1 | w | 441 |
| each | 1 | w | 445 |
| element | 1 | w | 452 |
| that | 1 | w | 456 |
| came | 3 | w | 460 |
| to | 5 | w | 462 |
| light | 1 | w | 467 |
| and | 4 | w | 470 |
| after | 1 | w | 475 |
| going | 1 | w | 480 |
| through | 1 | w | 487 |
| many | 2 | w | 491 |
| changes | 1 | w | 498 |
| it | 6 | w | 501 |
| stopped | 1 | w | 508 |
| when | 1 | w | 512 |
| it | 7 | w | 514 |
| had | 1 | w | 517 |
| found | 1 | w | 522 |
| its | 2 | w | 525 |
| own | 1 | w | 528 |
| natural | 1 | w | 535 |
| form | 2 | w | 539 |
| Thus | 2 | w | 544 |
| it | 9 | w | 546 |
| was | 2 | w | 549 |
| Aeschylus | 1 | w | 558 |
| who | 1 | w | 561 |
| first | 2 | w | 566 |
| raised | 1 | w | 572 |
| the | 17 | w | 575 |
| number | 1 | w | 581 |
| of | 2 | w | 583 |
| the | 18 | w | 586 |
| actors | 1 | w | 592 |
| from | 3 | w | 596 |
| one | 2 | w | 599 |
| to | 8 | w | 601 |
| two | 1 | w | 604 |
| He | 1 | w | 607 |
| also | 1 | w | 611 |
| curtailed | 1 | w | 620 |
| the | 19 | w | 623 |
| chorus | 2 | w | 629 |
| and | 5 | w | 632 |
| gave | 1 | w | 636 |
| the | 20 | w | 639 |
| dialogue | 1 | w | 647 |
| the | 21 | w | 650 |
| leading | 1 | w | 657 |
| part | 1 | w | 661 |
| Three | 1 | w | 667 |
| actors | 2 | w | 673 |
| and | 6 | w | 676 |
| scene-painting | 1 | w | 690 |
| Sophocles | 1 | w | 699 |
| introduced | 1 | w | 709 |
| Then | 1 | w | 714 |
| as | 5 | w | 716 |
| to | 10 | w | 718 |
| magnitude | 1 | w | 727 |
| Being | 1 | w | 733 |
| a | 58 | w | 734 |
| development | 1 | w | 745 |
| of | 3 | w | 747 |
| the | 22 | w | 750 |
| Satyr | 1 | w | 755 |
| play | 1 | w | 759 |
| A | 3 | w | 761 |
| Satyr | 2 | w | 766 |
| play | 2 | w | 770 |
| was | 3 | w | 773 |
| an | 13 | w | 775 |
| interlude | 1 | w | 784 |
| performed | 1 | w | 793 |
| by | 1 | w | 795 |
| a | 65 | w | 796 |
| troupe | 1 | w | 802 |
| of | 4 | w | 804 |
| actors | 3 | w | 810 |
| dressed | 1 | w | 817 |
| as | 7 | w | 819 |
| the | 23 | w | 822 |
| goat-like | 1 | w | 831 |
| followers | 1 | w | 840 |
| of | 5 | w | 842 |
| Dionysus | 1 | w | 850 |
| Hence | 1 | w | 856 |
| τραγῳδία | 1 | w | 864 |
| goat-song | 1 | w | 874 |
| Aristotle | 1 | w | 884 |
| seems | 1 | w | 889 |
| so | 6 | w | 891 |
| clear | 1 | w | 896 |
| about | 1 | w | 901 |
| this | 1 | w | 905 |
| that | 2 | w | 909 |
| he | 28 | w | 911 |
| does | 1 | w | 915 |
| not | 1 | w | 918 |
| trouble | 1 | w | 925 |
| to | 13 | w | 927 |
| give | 1 | w | 931 |
| a | 73 | w | 932 |
| full | 1 | w | 936 |
| explanation | 1 | w | 947 |
| But | 1 | w | 951 |
| we | 4 | w | 953 |
| can | 1 | w | 956 |
| see | 2 | w | 959 |
| from | 4 | w | 963 |
| this | 2 | w | 967 |
| passage | 1 | w | 974 |
| that | 3 | w | 978 |
| the | 24 | w | 981 |
| Satyr | 3 | w | 986 |
| plays | 1 | w | 991 |
| were | 2 | w | 995 |
| short | 1 | w | 1000 |
| jocose | 1 | w | 1007 |
| and | 7 | w | 1010 |
| in | 14 | w | 1012 |
| the | 25 | w | 1015 |
| trochaic | 1 | w | 1023 |
| metre | 1 | w | 1028 |
| which | 3 | w | 1033 |
| suited | 1 | w | 1039 |
| their | 2 | w | 1044 |
| dances | 1 | w | 1050 |
| and | 8 | w | 1054 |
| that | 4 | w | 1058 |
| in | 15 | w | 1060 |
| Aristotle | 2 | w | 1069 |
| s | 65 | w | 1071 |
| view | 1 | w | 1075 |
| tragedy | 2 | w | 1082 |
| was | 4 | w | 1085 |
| evolved | 2 | w | 1092 |
| from | 5 | w | 1096 |
| these | 1 | w | 1101 |
| No | 1 | w | 1104 |
| example | 1 | w | 1111 |
| of | 6 | w | 1113 |
| a | 90 | w | 1114 |
| primitive | 1 | w | 1123 |
| Satyr | 4 | w | 1128 |
| play | 4 | w | 1132 |
| survives | 1 | w | 1140 |
| but | 1 | w | 1144 |
| we | 6 | w | 1146 |
| can | 2 | w | 1149 |
| make | 1 | w | 1153 |
| inferences | 1 | w | 1163 |
| from | 6 | w | 1167 |
| the | 28 | w | 1170 |
| later | 1 | w | 1175 |
| more | 1 | w | 1180 |
| sophisticated | 1 | w | 1193 |
| Cyclops | 1 | w | 1200 |
| of | 7 | w | 1202 |
| Euripides | 1 | w | 1211 |
| and | 9 | w | 1214 |
| the | 29 | w | 1217 |
| fragments | 1 | w | 1226 |
| of | 8 | w | 1228 |
| Sophocles | 2 | w | 1237 |
| Ἰχνευταί | 1 | w | 1246 |
| The | 3 | w | 1250 |
| Trackers | 1 | w | 1258 |
| We | 1 | w | 1261 |
| cannot | 1 | w | 1267 |
| be | 5 | w | 1269 |
| certain | 1 | w | 1276 |
| that | 5 | w | 1280 |
| Aristotle | 3 | w | 1289 |
| s | 79 | w | 1291 |
| theory | 1 | w | 1297 |
| is | 10 | w | 1299 |
| historically | 1 | w | 1311 |
| correct | 1 | w | 1318 |
| the | 31 | w | 1322 |
| balance | 1 | w | 1329 |
| of | 9 | w | 1331 |
| evidence | 1 | w | 1339 |
| is | 12 | w | 1341 |
| against | 1 | w | 1348 |
| it | 13 | w | 1350 |
| it | 14 | w | 1353 |
| was | 5 | w | 1356 |
| quite | 1 | w | 1361 |
| late | 2 | w | 1365 |
| before | 1 | w | 1371 |
| tragedy | 3 | w | 1378 |
| rose | 1 | w | 1382 |
| from | 7 | w | 1386 |
| short | 2 | w | 1391 |
| plots | 1 | w | 1396 |
| and | 10 | w | 1399 |
| comic | 1 | w | 1404 |
| diction | 1 | w | 1411 |
| to | 17 | w | 1413 |
| its | 3 | w | 1416 |
| full | 2 | w | 1420 |
| dignity | 1 | w | 1427 |
| and | 11 | w | 1431 |
| that | 6 | w | 1435 |
| the | 32 | w | 1438 |
| iambic | 1 | w | 1444 |
| metre | 2 | w | 1449 |
| was | 6 | w | 1452 |
| used | 1 | w | 1456 |
| instead | 1 | w | 1463 |
| of | 10 | w | 1465 |
| the | 33 | w | 1468 |
| trochaic | 2 | w | 1476 |
| tetrameter | 1 | w | 1486 |
| At | 2 | w | 1489 |
| first | 3 | w | 1494 |
| they | 2 | w | 1498 |
| used | 2 | w | 1502 |
| the | 35 | w | 1505 |
| tetrameter | 2 | w | 1515 |
| because | 1 | w | 1522 |
| its | 4 | w | 1525 |
| poetry | 1 | w | 1531 |
| suited | 2 | w | 1537 |
| the | 36 | w | 1540 |
| Satyrs | 1 | w | 1546 |
| and | 12 | w | 1549 |
| was | 7 | w | 1552 |
| better | 1 | w | 1558 |
| for | 6 | w | 1561 |
| dancing | 1 | w | 1568 |
| but | 2 | w | 1572 |
| when | 2 | w | 1576 |
| dialogue | 2 | w | 1584 |
| was | 8 | w | 1587 |
| introduced | 2 | w | 1597 |
| Nature | 1 | w | 1604 |
| herself | 1 | w | 1611 |
| discovered | 1 | w | 1621 |
| the | 37 | w | 1624 |
| proper | 1 | w | 1630 |
| metre | 3 | w | 1635 |
| The | 4 | w | 1639 |
| iambic | 2 | w | 1645 |
| is | 14 | w | 1647 |
| indeed | 1 | w | 1653 |
| the | 38 | w | 1656 |
| most | 1 | w | 1660 |
| conversational | 1 | w | 1674 |
| of | 11 | w | 1676 |
| the | 39 | w | 1679 |
| metres | 1 | w | 1685 |