A Word with Hesiod (1-5)

Lycinus As to your being a first-rate poet, Hesiod, we do not doubt that, any more than we doubt your having received the gift from the Muses, together with that laurel-branch; it is sufficiently proved by the noble inspiration that breathes in every line of your works. But there is one point on which we may be excused for feeling some perplexity. You begin by telling us that your divine gifts were bestowed upon you by Heaven in order that you might sing of the glories that have been, and tell of that which is to come. Well, now, one half of your duties you have admirably performed. You have traced back the genealogy of the Gods to Chabds and Ge and Uranus and Eros; you have specified the feminine virtues; and you have given advice to the farmer, adding complete information with reference to the Pleiads, the seasons suitable for ploughing, reaping, and sailing,—and I know not what besides. But that far diviner gift, which would have been of so much more practical utility to your readers, you do not exercise at all: the soothsaying department is entirely overlooked. We find no parallel in your poems to those prophetic utterances which Calchas, and Telemus, and Polyidus, and Phineus—persons less favoured by the Muses than yourself—were wont to dispense freely to all applicants.

Now in these circumstances, you must plead guilty to one of three charges.

Now, if you will not enlighten me on this subject, who can? As the Gods are ‘givers of good,’ so you, their friends and pupils, should impart your knowledge frankly, and set our doubts at rest.

Hesiod My poor friend, there is one very simple answer to all your questions: I might tell you that not one of my poems is my own work; all is the Muses’, and to them I might refer you for all that has been said and left unsaid. For what came of my own knowledge, of pasturage, of milking, of driving afield, and all that belongs to the herdsman’s art, I may fairly be held responsible: but for the Goddesses,—they give whatso they will to whom they will.—

Apart from this, however, I have the usual poet’s apology. The poet, I conceive, is not to be called to account in this minute fashion, syllable by syllable. If in the fervour of composition a word slip in unawares, search not too narrowly; remember that with us metre and euphony have much to answer for; and then there are certain amplifications —certain elegances—that insinuate themselves into a verse, one scarce knows how. Sir, you would rob us of our highest prerogative, our freedom, our unfettered movement. Blind to the flowers of poetry, you are intent upon its thorns, upon those little flaws that give a handle to malicious criticism. But there! you are not the only offender, nor I the only victim: in the trivial defects of Homer, my fellow craftsman, many a carping