Of Pantomime (36-40)

But above all Mnemosyne, and her daughter Polyhymnia, must be propitiated by an art that would remember all things, Like Calchas in Homer, the pantomime must know all ‘that is, that was, that shall be’; nothing must escape his ever ready memory. Faithfully to represent his subject, adequately to express his own conceptions, to make plain all that might be obscure;—these are the first essentials for the pantomime, to whom no higher compliment could be paid than Thucydides’s tribute to Pericles, who, he says, ‘could not only conceive a wise policy, but render it intelligible to his hearers’; the intelligibility, in the present case, depending on clearness of gesticulation.

For his materials, he must draw continually, as I have said, upon his unfailing memory of ancient story; and memory must be backed by taste and judgement. He must know the history of the world, from the time when it first emerged from Chaos down to the days of Egyptian Cleopatra. These limitations we will concede to the pantomime’s wide field of knowledge; but within them he must be familiar with every detail:—the mutilation of Uranus, the origin of Aphrodite, the battle of Titans, the birth of Zeus, Rhea’s deception, her substitution of a stone for her child, the binding of Cronus, the partition of the world between the three brothers.

Again, the revolt of the Giants, Prometheus’s theft of fire, his creation of mankind, and the punishment that followed; the might of Eros and of Anteros, the wanderings of the island Delos, the travail of Leto, the Python’s destruction, the evil design of Tityus, the flight of eagles, whereby the earth’s centre was discovered.

He must know of Deucalion, in whose days the whole world suffered shipwreck, of that single chest wherein were preserved the remnants of the human race, of the new generation born of

Above all, the wanderings of Demeter, the finding of Persephone, the hospitality of Celeus; Triptolemus’s plough, Icarius’s vineyard, and the sad end of Erigone; the tale of Boreas and Orithyia, of Theseus, and of Aegeus; of Medea in Greece, and of ther flight thereafter into Persia, and of Erechtheus’s daughters and Pandion’s, and all that they did and suffered in Thrace. Acamas, and Phyllis, and that first rape of Helen, and the expedition of Castor and Pollux against Athens, and the fate of Hippolytus, and the return of the Heraclids,—all these may fairly be included in the Athenian mythology, from the vast bulk of which I select only these few examples.