Toxaris: a Dialogue of Friendship (7-9)

Such devotion, such loyal and loving partnership in danger, such true and steadfast affection, we held to be more than human; it indicated a spirit not to be found in common men. While the gale is prosperous, we all take it very much amiss if our friends will not share equally with us: but let‘the wind shift ever so little, and we leave them to weather the storm by themselves. I must tell you that in Scythia no quality is more highly esteemed than this of friendship; there is nothing on which a Scythian prides himself so much as on sharing the toils and dangers of his friend; just as nothing is a greater reproach among us than treachery to a friend. We honour Orestes and Pylades, then, because they excelled in the Scythian virtue of loyalty, which we place above all others; and it is for this that we have bestowed on them the name of Coraci, which in our language means spirits of friendship.

Mnesippus Ah, Toxaris, so archery is not the only accomplishment of the Scythians, I find; they excel in rhetorical as well as in military skill. You have persuaded me already that you were right in deifying Orestes and Pylades, though I thought differently just now. I had no conception, either, what a painter you were. Your description of the pictures in the Oresteum

Toxaris Well, which of the two is the more dutiful and pious in general, Greek or Scythian, we will not discuss just now: but that we are more loyal friends than you, and that we treat friendship more seriously, is easily shown. Now please do not be angry with me, in the name of all your Gods: but I am going to mention a few points I have observed during my stay in this country. I can see that you are all admirably well qualified to talk about friendship: but when it comes to putting your words into practice, there is a considerable falling off; it is enough for you to have demonstrated what an excellent thing friendship is, and somehow or other, at the critical moment, you make off, and leave your fine words to look after themselves. Similarly, when your tragedians represent this subject on the stage, you are loud in your applause; the spectacle of one friend risking his life for another generally brings tears to your eyes: but you are quite incapable of rendering any such signal services yourselves; once let your friends get into difficulties, and all those tragic reminiscences take wing like so many dreams; you are then the very image of the silent mask which the actor has thrown aside: its mouth is open to its fullest extent, but not a syllable does it utter. It is the other way with us: we are as much superior to you in the practice of friendship, as we are inferior in expounding the theory of it.