Of Mourning (13-16)

The mother—nay, it is the father, as likely as not,—now advances from among the relatives, falls upon the bier (to heighten the dramatic effect, we will suppose its occupant to be young and handsome), and utters wild and meaningless ejaculations; the corpse cannot speak, otherwise it might have something to say in reply. His son—the father exclaims, with a mournful emphasis on every word,—his beloved son is no more; he is gone; torn away before his hour was come, leaving him alone to mourn; he has never married, never begotten children, never been on the field of battle, never laid hand to the plough, never reached old age; never again will he make merry, never again know the joys of love, never, alas! tipple at the convivial board among his comrades. And so on, and so on.

He imagines his son to be still coveting these things, and coveting them in vain. But this is nothing: time after time men have been known to slaughter horses upon the tomb, and concubines and pages; to burn clothes and other finery, or bury it, in the idea that the deceased will find a profitable use for such things in the lower world.

Now the afflicted senior, in delivering the tragic utterances I have suggested above, and others of the same kind, is not, as I understand it, consulting the interests of his son (who he knows will not hear him, though he shout louder than Stentor), nor yet his own; he is perfectly aware of his sentiments, and has no occasion to bellow them into his own ear. The natural conclusion is, that this tomfoolery is for the benefit of the spectators; and all the time he has not an idea where his son is, or what may be his condition; he cannot even have reflected upon human life generally, or he would know that the loss of it is no such great matter.

Let us imagine that the son has