The Dependent Scholar (41-42)

Those whom they have cast off, they hate, and seek to make an end of them altogether; arguing, naturally enough, that men who know their secrets, and have seen them in all their nakedness, may divulge many a foible which will not bear the light; and the thought is torment to them. The fact is, that these great men are for all the world like handsomely bound books. Outside are the gilt edges and the purple cover: and within? a Thyestes feasts upon his own children; an Oedipus commits incest with his mother; a Tereus woos two sisters at once. Such are these human books: their brilliancy attracts all eyes, but between the purple covers lurks many a horrid tale. Turn over the pages of any one of them, and you find a drama worthy the pen of Sophocles or Euripides: close the volume—all is gilt edge and exquisite tooling. Well may they hate the confidants of such crimes, and plot their destruction! What if the outcast should take to rehearsing in public the tragedy that he has got by heart?

I am minded to give you, after the manner of Cebes, a life-picture of Dependence; with this before your eyes, you may judge for yourself, whether it is the life for you. I would gladly call in the aid of an Apelles or a Parrhasius, an Aetion or a Euphranor, but no such perfect painters are to be found in these days; I must sketch you the picture in outline as best I can.

I begin then with tall golden gates, not set in the plain, but high upon a hill. Long and steep and slippery is the ascent; and many a time when a man looks to reach the top, his foot slips, and he is plunged headlong. Within the gates sits Wealth, a figure all of gold (so at least she seems); most fair, most lovely. Her lover painfully scales the height, and draws near to the door; and that golden sight fills him with amazement. The beautiful woman in gorgeous raiment who now takes him by the hand is Hope. As she leads him in, his spirit is stricken with awe. Hope still shows the way; but two others, Despair and Servitude, now take charge of him, and conduct him to Toil, who grinds the poor wretch down with labour, and at last hands him over to Age. He looks sickly now, and all his colour is gone. Last comes Contempt, and laying violent hands on him drags him into the presence of Despair; it is now time for Hope to take wing and vanish. Naked, potbellied, pale and old, he is thrust forth, not by those golden gates by which he entered, but by some obscure back-passage. One hand covers his nakedness; with the other he would fain strangle himself. Now let Regret meet him without, dropping vain tears and heaping misery on misery,—and my picture is complete.

Examine it narrowly in all its details, and see whether you life the idea of going in at my golden front door, to be expelled ignominiously at the back, And whichever way you decide, remember the words of the wise man: ‘Blame not Heaven, but your own choice.’