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Slander, a Warning (5-6)

urn:cts:greekLit:tlg0062.tlg013.perseus-eng4:5-6
Refs {'start': {'reference': '5', 'human_reference': 'Section 5'}, 'end': {'reference': '6', 'human_reference': 'Section 6'}}
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On the right sits a man with long ears almost of the Midas pattern, stretching out a hand to Slander, who is still some way off, but coming. About him are two females whom I take for Ignorance and Assumption. Slander, approaching from the left, is an extraordinarily beautiful woman, but with a heated, excitable air that suggests delusion and impulsiveness; in her left hand is a lighted torch, and with her right she is haling a youth by the hair; he holds up hands to heaven and calls the

v.4.p.3
Gods to witness his innocence. Showing Slander the way is a man with piercing eyes, but pale, deformed, and shrunken as from long illness; one may easily guess him to be Envy. Two female attendants encourage Slander, acting as tire-women, and adding touches to her beauty; according to the cicerone, one of these is Malice, and the other Deceit. Following behind in mourning guise, black-robed and with torn hair, comes (I think he named her) Repentance. She looks tearfully behind her, awaiting shame-faced the approach of Truth. That was how Apelles translated his peril into paint.

I propose that we too execute in his spirit a portrait of Slander and her surroundings; and to avoid vagueness let us start with a definition or outline. Slahder, we will say, is an undefended indictment, concealed from its object, and owing its success to one-sided half-informed procedure. Now we have something to go upon. Further, our actors, as in comedy[*], are three the slanderer, the slandered, and the recipient of the slander; let us take each in turn and see how his case works out.

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