Slander, a Warning (13-14)

The credibility of the slander is by no means left to take care of itself; it is the chief object of their solicitude; they are extremely cautious against inconsistencies or contradictions. The usual method is to seize upon real characteristics of a victim, and only paint these in darker colours, which allows verisimilitude. A man is a doctor; they make him out a poisoner; wealth figures as tyranny; the tyrant’s ready tool is a ready traitor too.

Sometimes, however, the hint is taken from the hearer’s own nature; the villains succeed by using a bait that will tempt him, They know he is jealous, and they tell him: ‘He beckoned to your wife at dinner, and sighed as he gazed at her; and Stratonice—well, did not seem offended.’ Or he writes poetry, and piques himself upon it; then, ‘Philoxenus had great sport pulling your poem to pieces—said the metre was faulty and the composition vile.' A devout religious person is told that his friend is an atheist and a blasphemer, rejects belief and denies