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Slander: on not Being Quick to Put Faith in it (1-5)

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It is really a terrible thing, is ignorance, a cause of many woes to humanity; for it envelops things in a fog, so to speak, and obscures the truth and overshadows each mans life. Truly, we all resemble people lost in the darknay, we are even like blind men. Now we stumble inexcusably, now we lift our feet when there is no need of it; and we do not see what is near and right before us, but fear what is far away and extremely remote as if it blocked our path. In short, in everything we do we are always making plenty of missteps. For this redson the writers of tragedy have found in this universal truth many and many a motive for their dramastake for example, the house of Labdacus, [*] the house of Pelops and their like. Indeed, most of the troubles that.are put on the stage are supplied to the poets, you will find, by ignorance, as though it were a sort of tragic divinity. What I have in mind more than anything else is slanderous lying about acquaintances and friends, through which families have been rooted out, cities have utterly perished, fathers have been driven mad

v.1.p.363
against their children, brothers against own brothers, children against their parents and lovers against those they love. Many a friendship, too, has. been parted and many an oath broken through belief in slander.

In order, then, that we may as far as possible avoid being involved in it, I wish to show in words, as if in a painting, what sort of thing slander is, how it begins and what it does.

I should say, however, that Apelles of Ephesus long ago preempted this subject for a picture ; and with good reason, for he himself had been slandered to Ptolemy on the ground that he had taken part with Theodotas in the conspiracy in Tyre, although Apelles had never set eyes on Tyre and did not know who Theodotas was, beyond having heard that he was one of Ptolemys governors, in charge of affairs in Phoenicia. [*] Nevertheless, one of his rivals named Antiphilus, through envy of his favour at court and professional jealousy, maligned him by telling Ptolemy that he had taken part in the whole enterprise, and that someone had seen him dining with Theodotas in Phoenicia and whispering into his ear all through the meal; and in the end he declared that the revolt of Tyre and the capture of Pelusium had taken place on the advice of Apelles.

Ptolemy, who in general was not particularly sound of judgment, but had been brought up in the midst of courtly flattery, was so inflamed and upset by this

v.1.p.365
surprising charge that he did not take into account any of the probabilities, not considering either that the accuser was a rival or that a painter was too insignificant a person for so great a piece of treason a painter, too, who had been well treated by him and honoured above any of his fellow-craftsmen. Indeed, he did not even enquire whether Apelles had gone to Tyre at all. On the contrary, he at once began to rave and filled the palace with noise, shouting The ingrate,” The plotter,’ and The conspirator.”’ And if one of his fellow-prisoners, who was indignant at the impudence of-Antiphilus and felt sorry for poor Apelles, had not said that the man had not taken any part whatever in the affair, he would have had his head cut off, and so would have shared the consequences of the troubles in Tyre without being himself to blame for them in any way.

Ptolemy is said to have been so ashamed of the affair that he presented Apelles with a hundred talents and gave him Antiphilus for his slave. Apelles, for his part, mindful of the risk that he had run, hit back at slander in a painting.

On the right of it sits a man with very large ears, almost like those of Midas, extending his hand to Slander while she is still at some distance from him. Near him, on one side, stand two womenIgnorance, I think, and Suspicion. On the other side, Slander is coming up, a woman beautiful beyond measure, but full of passion and excitement, evincing as she does fury and wrath by carrying in her left hand a blazing torch and with the other dragging by the hair a young man who stretches out his hands to heaven

v.1.p.367
and calls the gods to witness his innocence, She is conducted by a pale ugly man who has a piercing eye and looks as if he had wasted away in long illness; he may be supposed to be Envy. Besides, there are two women in attendance on Slander, egging her on, tiring her and tricking her out. According to the interpretation of them given me by the guide to the picture, one was Treachery and the other Deceit. They were followed by a woman dressed in deep mourning, with black clothes all in tattersRepentance, I think, her name was. At all events, she was turning back with tears in her eyes and casting a stealthy glance, full of shame, at Truth, who was approaching.

That is the way in which Apelles represented in the painting his own hairbreadth escape.

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