The Hall (11-15)

The peacock, too, at the opening

For you know without my telling you that the sea has power to invite and provoke longing when it is calm. At such a time, no matter how much of a landsman and a lubber a man may be, he wants at all costs to get aboard ship and cruise about and go far from land, above all if he perceives the breeze gently swelling the canvas and the vessel sweetly and smoothly gliding along, little by little, over the crest of the waves.

Certainly, then, the beauty. of this hall has power to rouse a man to speech, to spur him on in speaking and to make him succeed in every- way. I for my part am trusting in all this and have already

There is, however, another point of view, not insignificant but very important, if you take Mr. Point o’ View's word for it; he kept interrupting me as I spoke and trying to break up my speech, and now that I have paused he says that I am mistaken in this matter: he is surprised that I should say a beautiful hall adorned with painting and gilding is better suited for the display of eloquence, as the case is entirely the reverse. But if you approve, let Mr. Point o’ View himself take the floor in his own behalt and tell you as he would a jury wherein he thinks a mean and ugly hall more advantageous to the speaker. You have heard me already, so that I do not need to speak again to the same topic; let him take the floor now and say his say, and I will be still and ield to him for a time.

“Well, gentlemen of the jury,” says Mr. Point o’ View, “the last speaker has made many striking points in praise of the hall, and has adorned it with his words. I myself am so far from intending to criticise it that I have in mind to add the points which he omitted, for the more beautiful you think it, the more hostile to the speaker's interest it will be, as I shall show.

“First, then, since he has mentioned women, jewelry and gold, permit me also to make use of the comparison. I assert that, far from contributing to the good looks of a beautiful woman, abundant