Scaife ATLAS

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Ion (538)

urn:cts:greekLit:tlg0059.tlg027.perseus-eng2:538
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538
538a
Soc.

Then tell me now, what I was just going to ask you, whether you think this rule holds for all the artsthat by the same art we must know the same things, and by a different art things that are not the same; but if the art is other, the things we know by it must be different also.

Ion.

I think it is so, Socrates.

Soc.

Then he who has not a particular art will be incapable of knowing aright the words or works of that art?

538b
Ion.

True.

Soc.

Then will you or a charioteer be the better judge of whether Homer speaks well or not in the lines that you quoted?

Ion.

A charioteer.

Soc.

Because, I suppose, you are a rhapsode and not a charioteer.

Ion.

Yes.

Soc.

And the rhapsodes art is different from the charioteers?

Ion.

Yes.

Soc.

Then if it is different, it is also a knowledge of different things.

Ion.

Yes.

Soc.

Now, what of the passage where Homer tells how Hecamede,

538c
Nestors concubine, gives the wounded Machaon a posset? His words are something like this:
Of Pramneian wine it was, and therein she grated cheese of goats milk with a grater of bronze; and thereby an onion as a relish for drink.
Hom. Il. 11.639-40 [*] Is it for the doctors or the rhapsodes art to discern aright whether Homer speaks correctly here or not?

Ion.

For the doctors.

Soc.

Well now, when Homer says:

538d
And she passed to the bottom like a plummet which, set on a horn
977) supports Aristotles view that the horn acted as a sheath to protect the line from being bitten through by the fish. are we to say it is for the fishermans or for the rhapsodes art to decide what he means by this, and whether it is rightly or wrongly spoken?

Ion.

Clearly, Socrates, for the fishermans art.

Soc.

Then please observe: suppose you were questioning me and should ask:

538e
Since therefore, Socrates, you find it is for these several arts to appraise the passages of Homer that belong to each, be so good as to make out those also that are for the seer and the seers art, and show me the sort of passages that come under his ability to distinguish whether they are well or ill done; observe how easily and truly I shall answer you. For he has many passages, both in the Odyssey, as for instance the words of Theoclymenus, the seer of the line of Melampus, to the suitors:

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