On the question, Who is the Heir of Divine Things (156-160)

And in teaching this they are not very wide of the mark, but they know that the art of God according to which he created all things, admitting neither any extraordinary intensity nor any relaxation; but always remaining the same, made every single existing thing perfectly, according to its own excessive and consummate perfection, the Creator employing all numbers and all the ideas which tend to perfection.

For, as Moses says, "He judged according to the little and according to the great," [*] engendering and fashioning everything, and not taking anything away from the display of his art by reason of the obscurity of his materials, not adding anything because of their brilliancy;

since all the artists who have any reputation wish to work up whatever materials they take in an admirable manner, whether they are costly or whether they are inexpensive. And before now, some persons, having even an extraordinary love of distinction, have even spent more skill in working up materials of little value, than they have devoted to those which are costly, wishing to make up for the deficiencies of the material by the additional display of their skill.

But there is no material which has any value in the eyes of God, because he has given all materials an equal share of his skill. In reference to which it is said in the sacred scriptures, "God saw all that he had made, and, behold, it was very good." [*] But the things which receive an equal degree of praise, are by all means held in equal estimation by him who confers the praise;

and what God praised was not the materials which he had worked up into creation, destitute of life and of melody, and easily dissolved, and moreover in their own intrinsic nature perishable, and out of all proportion and full of iniquity, but rather his own skilful work, completed according to one equal and well-proportioned power and knowledge always alike and identical. In reference to which all things were also accounted equal and similar by all the rules of proportion, according to the principles of art and knowledge. [*] [*]