On the Embassy (21-25)

of the repopulation of Thespiae and Plataea, and of the recovery of Apollo’s treasure, not from the Phocians, but from the Thebans, who had planned the seizure of the temple. It was himself, he added, who had instructed Philip that those who contrived the project were quite as sacrilegious as the men by whose hands it was executed; and therefore the Thebans had set a price on his head!

He had even heard some Euboeans, who were thoroughly frightened by the friendship that had been cemented between Philip and Athens, utter these very words: Gentlemen of the Embassy, we know all about the terms on which you have concluded peace with Philip, and we are aware that you have given up Amphipolis to him, and that he has agreed to hand over Euboea to you. He had also, he said, settled another matter, but he thought it better not to mention it just yet—some of his colleagues were already so jealous of him. This was a veiled allusion to Oropus.

And so, in all the glory of these disclosures, with everybody regarding him as a grand speaker and a marvellous man, he descended from the tribune in his most majestic manner. Then I rose, and said that the whole story was news to me. I attempted to repeat the statement I had made to the Council; but Aeschines and Philocrates posted themselves one on either side of me—shouting, interrupting, and finally jeering. You were all laughing; you would not listen to me, and you did not want to believe anything except what Aeschines had reported.

And I must say that your feeling was quite natural. For how could anyone, filled with anticipation of those wonderful benefits, be patient of a speaker who told you that you would never get them, and even denounced the conduct of the benefactors? At the moment, I imagine, everything else was thrown into the shade by the hopes and expectations that were suggested to you; contradiction seemed to be mere annoyance and malice; and these great achievements were thought amazingly fine and most beneficial to the commonwealth.

Why have I begun by reviving these memories and quoting those old speeches? My first and chief object, men of Athens, is that, when you hear me relate some performance that seems to you atrocious and incredible, no one may ask in surprise: Then why did you not speak out and give us this information instantly?