Wherefore the Pythian Priestess now Ceases to Deliver her Oracles in Verse (21-25)

But these things require a more prolix discourse and a stricter examination, to be deferred till another time. For the present, therefore, let us only call to mind thus much, that the body makes use of several instruments, and the soul employs the body and its members; the soul be ing the organ of God. Now the perfection of the organ is to imitate the thing that makes use of it, so far as it is capable, and to exhibit the operation of its thought, according to the best of its own power; since it cannot show it as it is in the divine operator himself,—neat, without any affection, fault, or error whatsoever,—but imperfect and mixed. For of itself, the thing is to us altogether unknown, till it is infused by another and appears to us as fully partaking of the nature of that other. I forbear to mention gold or silver, brass or wax, or whatever other substances are capable to receive the form of an imprinted resemblance. For true it is, they all admit the impression; but still one adds one distinction, another another, to the imitation arising from their presentation itself; as we may readily perceive in mirrors, both plane, concave, and convex, infinite varieties of representations and faces from one and the same original; there being no end of that diversity.

But there is no mirror that more exactly represents any shape or form, nor any instrument that yields more obsequiously to the use of Nature, than the Moon herself. And yet she, receiving from the Sun his masculine splendor and fiery light, does not transmit the same to us; but when it intermixes with her pellucid substance, it changes color and loses its power. For warmth and heat abandon the pale planet, and her light grows dim before it can reach our sight. And this is that which, in my opinion, Heraclitus seems to have meant, when he said that the prince who rules the oracle of Delphi neither speaks out nor conceals, but signifies. Add then to these things thus rightly spoken this farther consideration, that the Deity makes use of the Pythian prophetess, so far as concerns her sight and hearing, as the Sun makes use of the Moon; for he makes use of a mortal body and an immortal soul as the organs of prediction. Now the body lies dull and immovable of itself; but the soul being restless, when once the soul begins to be in motion, the body likewise stirs, not able to resist the violent agitation of the nimbler spirit, while it is shaken and tossed as in a stormy sea by the tempestuous passions that ruffle within it. For as the whirling of bodies that merely move circularly is nothing violent, but when they move round by force and tend downward by nature, there results from both a confused and irregular circumrotation; thus that divine rapture which is called enthusiasm is a commixture of two motions, wherewith the soul is agitated, the one extrinsic, as by inspiration, the other by nature. For, seeing that as to inanimate bodies, which always remain in the same condition, it is impossible by preternatural violence to offer a force which is contrary to their nature and intended use, as to move a cylinder spherically or cubically, or to make a lyre sound like a flute, or a trumpet like a harp; how is it possible to manage an animate body, that moves of itself, that is indued with reason, will, and inclination, otherwise than according to its pre-existent reason, power, or nature; as (for example) to incline to music a person altogether ignorant and an utter enemy to music, or to make a grammarian of one that never knew his letters, or to make him speak like a learned man that never understood the least tittle of any science in the world?

Nevertheless, if we do but make a right reflection upon God and his Providence, we shall find the alteration to be much for the better. For the use of speech seems to be like the exchange of money; that which is good and lawful is commonly current and known, and goes sometimes at a higher, sometimes at a lower value. Thus there was once a time when the stamp and coin of language was approved and passed current in verses, songs, and sonnets; for then all histories, all philosophical learning, all affections and subjects that required grave and solid discussion, were written in poetry and fitted for musical composition. For what now but a few will scarce vouchsafe to hear, then all men listened to,

The shepherd, ploughman, and bird-catcher too,[*]

as it is in Pindar; all delighted in songs and verses. For such was the inclination of that age and their readiness to versify, that they fitted their very precepts and admonitions to vocal and instrumental music. If they were to teach, they did it in songs fitted to the harp. If they were to exhort, reprove, or persuade. they made use of fables and allegories. And then for their praises of the Gods, their vows, and paeans after victory, they were all composed in verse; by some, as being naturally airy and flowing in their invention; by others, as habituated by custom. And therefore it is not that Apollo envies this ornament and elegancy to the science of divination; nor was it his design to banish from the Tripos his beloved Muse, but rather to introduce her when rejected by others, being rather a lover and kindler of poetic rapture in others, and choosing rather to furnish laboring fancies with imaginations, and to assist them to bring forth the lofty and learned kind of language, as most becoming and most to be admired.

But afterwards, when the conversation of men and custom of living altered with the change of their fortunes and dispositions, consuetude expelling and discarding all manner of superfluity rejected also golden top-knots, and silken vestments loosely flowing in careless folds, clipped their long dishevelled locks, and, laying aside their embroidered buskin, taught men to glory in sobriety and frugality in opposition to wantonness and superfluity, and to place true honor in simplicity and modesty, not in pomp and vain curiosity. And then it was that, the manner of writing being quite altered, history alighted from versifying, as it were from riding in chariots, and on foot distinguished truth from fable; and philosophy, in a clear and plain style, familiar and proper to instruct rather than to astonish the world with metaphors and figures, began to dispute and enquire after truth in common and vulgar terms. And then it was, that Apollo caused the Pythian priestess to surcease calling her fellow-citizens fire-inflaming, the Spartans serpent-devourers, men by the name of Oreanes, and rivers by the name of mountain-drainers; and discarding verses, uncouth words, circumlocutions, and obscurity, taught the oracles to speak as the laws discourse to cities, and as princes speak to their people and their subjects, or as masters teach their scholars, appropriating their manner of speech to good sense and persuasive grace.