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Whether the Athenians Were More Renowned For Their Warlike Achievements or For Their Learning (3-4)

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Though indeed Simonides calls painting silent poetry, and poetry speaking painting. For those actions which painters set forth as they were doing, those history relates when they were done. And what the one sets forth in colors and figures, the other relates in words and sentences; only they differ in the materials and manner of imitation. However, both aim at the same end, and he is accounted the best historian, who can make the most lively descriptions both of persons and passions. Therefore Thucydides always drives at this perspicuity, to make the hearer (as it were) a spectator, and to inculcate the same passions and perturbations of mind into his readers as they were in who beheld the causes of those effects. For Demosthenes embattling the Athenians near the rocky shore of Pylos; Brasidas hastening the pilot to run the ship aground, then going to the rowers seats, then wounded and fainting, sinking down in that part of the vessel where the oars could not trouble him; the land fight of the Spartans from the sea, and the sea engagement of the Athenians from the land; then again in the Sicilian war, both a land fight and sea engagement, so fought that neither had the better,[*] So that if we may not compare painters with generals, neither must we equal historians to them.

Thersippus of Eroeadae brought the first news of the victory at Marathon, as Heraclides of Pontus relates. But most report that Eucles, running armed with his wounds reeking from the fight, and falling through the door into the first house he met, expired with only these words in his mouth, God save ye, we are well. Now this man brought the news himself of the success of a fight wherein he was present in person. But suppose that ally of the goat-keepers or herd-men had beheld the combat from some high hill at a distance, and seeing the success of that great achievement, greater than by words can be expressed, should have come to the city without any wound or blood about him, and should have claimed the honors done to Cynaegirus, Callimachus, and Polyzelus, for giving an account of their wounds, their bravery and deaths, wouldst thou not have thought him impudent above impudence itself; seeing that the Lacedaemonians gave the messenger that brought the news of the victory at Mantinea [*] no other reward than a quantity of victuals from the public mess? But historians are (as it were) well-voiced relators of the actions of great men, who add grace and beauty and dint of wit to their relations, and to whom they that first light upon them and read them are indebted for their pleasing tidings. And being read, they are applauded for transmitting to posterity the actions of those that do bravely. For words do not make actions, though we give them the hearing.

But there is a certain grace and glory of the poetic art, when it resembles the grandeur of the actions themselves; according to that of Homer,

And many falsities he did unfold,
That looked like truth, so smoothly were they told.
[*]
It is reported also, that when one of his familiar friends said to Menander, The feasts of Bacchus are at hand, and
thou hast made neer a comedy; he made him this answer: By all the Gods, I have made a comedy, for I have laid my plot; and there remains only to make the verses and measures to it. So that the poets themselves believe the actions to be more necessary than the words, and the first things to be considered. Corinna likewise, when Pindar was but a young man and made too daring a use of his eloquence, gave him this admonition, that he was no poet, for that he never composed any fables, which was the chiefest office of poetry; in regard that strange words, figures, metaphors, songs, and measures were invented to give a sweetness to things. Which admonition Pindar laying up in his mind, wrote a certain ode which thus begins:
Shall I Ismenus sing,
Or Melia, that from spindles all of gold
Her twisted yarn unwinds,
Or Cadmus, that most ancient king,
Or else the sacred race of Sparti bold,
Or Hercules, that far in strength transcends.
Which when he showed to Corinna, she with a smile replied: When you sow, you must scatter the seed with your hand, not empty the whole sack at once. And indeed we find that Pindar intermixes in his poetic numbers a collection of all sorts of fables. Now that poetry employs itself in mythology is agreed by Plato likewise. For a fable is the relation of a false story resembling truth, and therefore very remote from real actions; for relation is the image of action, as fable is the image of relation. And therefore they that feign actions fall as far behind historians as they that speak differ from those that act.

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