Roman Questions (26-30)

Question 26. Why do women wear for mourning white mantles and white kerchiefs?

Solution. What if they do this in conformity to the Magi, who, as they say, standing in defiance of death and darkness, do fortify themselves with bright and splendid robes? Or, as the dead corpse is wrapped in white, so do they judge it meet that the relations should be conformable thereto? For they beautify the body so, since they cannot the soul; wherefore they wish to follow it as having gone before, pure and white, being dismissed after it hath fought a great and various warfare. Or is it that what is very mean and plain is most becoming in these things? For garments dyed of a color argue either luxury or vanity. Neither may we say less of black than of sea-green or purple, Verily garments are deceitful, and so are colors. And a thing that is naturally black is not dyed by art but by nature, and is blended with an intermixed shade. It is white only therefore that is sincere, unmixed, free from the impurity of a dye, and inimitable; therefore most proper to those that are buried. For one that is dead is become simple, unmixed, and pure, freed from the body no otherwise than from a tingeing poison. In Argos they wear white in mourning, as Socrates saith, vestments rinsed in water.

Question 27. Why do they repute every wall immaculate and sacred, but the gates not so?

Solution. Is it (as Varro hath wrote) that the wall is to be accounted sacred, that they might defend it cheerfully and even lay down their lives for it? Upon this very account it appears that Romulus slew his brother, because

he attempted to leap over a sacred and inaccessible place, and to render it transcendible and profane; but it could not possibly be that the gates should be kept sacred, through which they carried many things that necessity required, even dead corpses. When they built a city from the foundation, they marked out with a plough the place on which they intended to build it, yoking a bull and a cow together; but when they did set out the bounds of the walls, measuring the space of the gates, they lifted up the ploughshare and carried the plough over it, believing that all the ploughed part should be sacred and inviolable.

Question 28. Why do they prohibit the children to swear by Hercules within doors, but command them to go out of doors to do it?

Solution. Is the reason (as some say) that they are of opinion that Hercules was not delighted in a domestic life, but chose rather to live abroad in the fields? Or rather because he was none of their native country Gods, but a foreigner? For neither do they swear by Bacchus within doors, he being a foreigner, if it be he whom the Greeks call Dionysus. Or what if these things are uttered in sport to amuse children; and is this, on the contrary, for a restraint of a frivolous and rash oath, as Favorinus saith? For that which is done, as it were, with preparation causes delay and deliberation. If a man judges as Favorinus doth of the things recorded about Hercules, it would seem that this was not common to other Gods, but peculiar to him; for history tells us that he had such a religious veneration for an oath, that he swore but once only to Phyleus, son of Augeas. Wherefore the Pythia upbraids the Lacedaemonians with such swearing, as though it would be more laudable and better to pay their vows than to swear.

Question 29. Why do they not permit the new married

woman herself to step over the threshold of the house, but the bridemen lift her over?

Solution. What if the reason be that they, taking their first wives by force, brought them thus into their houses, when they went not in of their own accord? Or is it that they will have them seem to enter into that place as by force, not willingly, where they are about to lose their virginity? Or is it a significant ceremony to show that she is not to go out or leave her dwelling-place till she is forced, even as she goes in by force? For with us also in Boeotia they burn the axletree of a cart before the doors, intimating that the spouse is bound to remain there, the instrument of carriage being destroyed.

Question 30. Why do the bridemen that bring in the bride require her to say, Where thou Caius art, there am I Caia?

Solution. What if the reason be that by mutual agreement she enters presently upon participation of all things, even to share in the government, and that this is the meaning of it, Where thou art lord and master of the family, there am I also dame and mistress of the family; while these common names they use promiscuously, as the lawyers do Caius, Seius, Lucius, Titius, and the philosophers use the names of Dion and Theon? Or is it from Caia Secilia, an honest and good woman, married to one of Tarquinius’s sons, who had her statue of brass erected in the temple of Sancus? On this statue were anciently hanged sandals and spindles, as significant memorials of her housewifery and industry.