Εἰδύλλια (2.36)

ἠχεῖον

drum, gong, Plu. Crass. 23, Apollod. ap. Sch. Theoc. 2.36, Procop.Gaz. Ecphr. p.153B.; tambourine, as head-dress, Herm.Trism. in Rev.Phil. 32.254; used for stage-thunder, Sch. Ar. Nu. 292; as sounding-boards in the theatre, Vitr. 5.5.2.

ἠχέω

II ἀχεῖν ( ἰαχεῖν codd.) ὕμνον to let it sound, A. Th. 869 (lyr.); κωκυτόν S. Tr. 866; γόους Id. Fr. 523; ὕμνους E. Ion 883 (lyr.); χαλκέον ἄχει sound the cymbal! Theoc. 2.36; ἐφεξῆς ἠχοῦντα αὐτά (sc. τὰ φωνήεντα) Demetr. Eloc. 71: — Med., ἀχεῖσθαί τινα to sound his praises, dub. in Pi. Fr. 75.19:— Pass., ἠχεῖται κτύπος a sound is made, S. OC 1500. (Cf. sq.)

τρίοδος

2 [Ἑκάτη] ναίουσʼ ἱερὰς τ. S. Fr. 535 (anap.); ἁ θεὸς ἐν τριόδοισι Theoc. 2.36; the τρίοδοι were frequented by fortune-tellers and loungers, Thphr. Char. 16.5, 14, Aristid. Or. 22 ( 19). 10; φαρμακοπώλης ἐκτριόδου Gal. 9.823; ἐκτῆς τ. ἰατροί Id. 10.786: hence οἷα ἐκ τριόδου, i. e. vulgar, Luc. Hist.Conscr. 16, etc.; λοιδορίαι ἐξ ἐργαστηρίων καὶ τριόδων D.C. 46.4; of certain women, τρίοδοί τινες . . ἐγένοντο Clearch. 25 ( τριοδίτιδες cj. Lobeck).