κωμῳδία
κωμῳδία
κωμ-ῳδία, ἡ,
a comedy, Ar., etc.:—Two derivs. are suggested: one from κῶμος, ᾠδή, the revel-song; the other from κώμη, ᾠδή, the village-song. There were three periods of Attic Comedy, Old, Middle, New, — παλαιά, μέση, νέα. The Old Comedy was used to attack by name the most powerful persons of the day, ending B. C. 393; the Middle Comedy lost the chorus, but still attacked notabilities under assumed characters, ending B. C. 337; the New was our Comedy of Manners, and may be best understood from Plautus and Terence.
Headword (normalized):
κωμῳδία
Headword (normalized/stripped):
κωμωδια
Intro Text:
κωμῳδία
κωμ-ῳδία, ἡ,
a comedy, Ar., etc.:—Two derivs. are suggested: one from κῶμος, ᾠδή, the revel-song; the other from κώμη, ᾠδή, the village-song. There were three periods of Attic Comedy, Old, Middle, New, — παλαιά, μέση, νέα. The Old Comedy was used to attack by name the most powerful persons of the day, ending B. C. 393; the Middle Comedy lost the chorus, but still attacked notabilities under assumed characters, ending B. C. 337; the New was our Comedy of Manners, and may be best understood from Plautus and Terence.
URN:
urn:cite2:scaife-viewer:dictionary-entries.atlas_v1:middle-liddell.perseus-eng2-n19120
No citations.
{
"content": "κωμῳδία\n κωμ-ῳδία, ἡ,\n a comedy, Ar., etc.:—Two derivs. are suggested: one from κῶμος, ᾠδή, the revel-song; the other from κώμη, ᾠδή, the village-song. There were three periods of Attic Comedy, Old, Middle, New, — παλαιά, μέση, νέα. The Old Comedy was used to attack by name the most powerful persons of the day, ending B. C. 393; the Middle Comedy lost the chorus, but still attacked notabilities under assumed characters, ending B. C. 337; the New was our Comedy of Manners, and may be best understood from Plautus and Terence.",
"key": "kwmw|di/a"
}