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Middle Liddell

κῶμα
κωμάρχης
κωμαστής
κώμη
κωμήτης
κωμικός
κωμόπολις
κῶμος
κώμυς
κωμῳδέω
κωμῳδία
κωμῳδικός
κωμῳδόγελως
κωμῳδογράφος
κωμῳδοδιδασκαλία
κωμῳδοδιδάσκαλος
κωμῳδολοιχέω
κωμῳδοποιητής
κωμῳδοποιός
κωμῳδός
κώνειον
View word page
κωμῳδία
κωμῳδία κωμ-ῳδία, ἡ, a comedy, Ar., etc.:—Two derivs. are suggested: one from κῶμος, ᾠδή, the revel-song; the other from κώμη, ᾠδή, the village-song. There were three periods of Attic Comedy, Old, Middle, New, — παλαιά, μέση, νέα. The Old Comedy was used to attack by name the most powerful persons of the day, ending B. C. 393; the Middle Comedy lost the chorus, but still attacked notabilities under assumed characters, ending B. C. 337; the New was our Comedy of Manners, and may be best understood from Plautus and Terence.

ShortDef

a comedy

Debugging

Headword:
κωμῳδία
Headword (normalized):
κωμῳδία
Headword (normalized/stripped):
κωμωδια
IDX:
19101
URN:
urn:cite2:scaife-viewer:dictionary-entries.atlas_v1:middle-liddell.perseus-eng2-n19120
Key:
kwmw|di/a

Data

{'content': 'κωμῳδία\n κωμ-ῳδία, ἡ,\n a comedy, Ar., etc.:—Two derivs. are suggested: one from κῶμος, ᾠδή, the revel-song; the other from κώμη, ᾠδή, the village-song. There were three periods of Attic Comedy, Old, Middle, New, — παλαιά, μέση, νέα. The Old Comedy was used to attack by name the most powerful persons of the day, ending B. C. 393; the Middle Comedy lost the chorus, but still attacked notabilities under assumed characters, ending B. C. 337; the New was our Comedy of Manners, and may be best understood from Plautus and Terence.', 'key': 'kwmw|di/a'}