<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text xml:lang="en"><body><div xml:lang="eng" type="translation" n="urn:cts:latinLit:phi0134.phi006.perseus-eng2"><div type="textpart" n="82" subtype="card"><stage>Enter DEMEA.</stage><sp><speaker>DEMEA</speaker><p> Oh,—opportunely met; you are the very man I was looking for.<milestone n="81" unit="line"/>
                     <note anchored="true"><q>I was looking for</q>: Donatus observes that the Poet has in this place improved upon Menander, in representing Demea as more ready to wrangle with his brother than to return his compliments.</note>
                  </p></sp><sp><speaker>MICIO</speaker><p> Why are you out of spirits?</p></sp><sp><speaker>DEMEA</speaker><p> Do you ask me, when we have such a son as Aeschinus,<milestone n="82" unit="line"/>
                     <note anchored="true"><q>Such a son as Aeschinus</q>: The passage pretty clearly means by "<foreign xml:lang="lat">ubi nobis Aeschinus sit</foreign>," "when I've got such a son as Aeschinus." Madame Dacier, however, would translate it: "Ask me—you, in whose house Aeschinus is?" thus accusing him of harboring Aeschinus; a very forced construction, however.</note> why I'm out of spirits?</p></sp><sp><speaker>MICIO</speaker><p><stage>aside.</stage> Did I not say it would be so? <stage>To DEMEA.</stage> What has he been doing?</p></sp><sp><speaker>DEMEA</speaker><p> What has he been doing? He, who is ashamed of nothing, and fears no one, nor thinks that any law can control him. But I pass by what has been previously done: what a thing he has just perpetrated!</p></sp><sp><speaker>MICIO</speaker><p> Why, what is it?</p></sp><sp><speaker>DEMEA</speaker><p> He has broken open a door,<milestone n="88" unit="line"/>
                     <note anchored="true"><q>Broken open a door</q>: The works of Ovid and Plautus show that it was no uncommon thing for riotous young men to break open doors; Ovid even suggests to the lover the expediency of getting into the house through the windows.</note> and forced his way into another person's house, beaten to death the master himself, and all the household, and carried off a wench whom he had a fancy for. All people are exclaiming that it was a most disgraceful proceeding. How many, Micio, told me of this as I was coming here? It is in everybody's mouth. In fine, if an example must be cited, does he not see his brother giving his attention to business, and living frugally and soberly in the country? No action of his is like this. When I say this to him, Micio, I say it to you. You allow him to be corrupted.</p></sp><sp><speaker>MICIO</speaker><p> Never is there any thing more unreasonable than a man who wants experience, who thinks nothing right except what he himself has done.</p></sp><sp><speaker>DEMEA</speaker><p> What is the meaning of that?</p></sp><sp><speaker>MICIO</speaker><p> Because, Demea, you misjudge these matters. It is no heinous crime, believe me, for a young man to intrigue or to drink; it is not; nor yet for him to break open a door. If neither I nor you did so, it was poverty that did not allow us to do so. Do you now claim that as a merit to yourself which you then did from necessity? That is unfair; for if we had had the means to do so, we should have done the same. And, if you were a man, you would now suffer that other son of yours to act thus now, while his age will excuse it, rather than, when he has got you, after long wishing it, out of the way, he should still do so, at a future day, and at an age more unsuited.</p></sp><sp><speaker>DEMEA</speaker><p> O <persName>Jupiter</persName>! You, sir, are driving me to distraction. Is it not a heinous thing for a young man to do these things?</p></sp><sp><speaker>MICIO</speaker><p> Oh! do listen to me, and do not everlastingly din me upon this subject. You gave me your son to adopt; he became mine; if he offends in any thing, Demea, he offends against me: in that case I shall bear the greater part of the inconvenience. Does he feast,<milestone n="117" unit="line"/>
                     <note anchored="true"><q>Does he feast</q>: Colman has the following observation here: "The mild character of Micio is contrasted by <persName>Cicero</persName> to that of a furious, savage, severe father, as drawn by the famous Comic Poet, Caecilius. Both writers are quoted in the Oration for Caelius, in the composition of which it is plain that the orator kept his eye pretty closely on our Poet. The passages from Caecilius contain all that vehemence and severity which, as <persName>Horace</persName> tells us, was accounted the common character of the style of that author."</note> does he drink, does he smell of perfumes,<milestone n="117" unit="line"/>
                     <note anchored="true"><q>Smell of perfumes</q>: For an account of the "<foreign xml:lang="lat">unguenta</foreign>," or perfumes in use among the ancients, see the Notes to Bohn's Translation of Plautus.</note>—it is at my cost. Does he intrigue, money shall be found by me, so long as it suits me; when it shall be no longer convenient, probably he'll be shut out of doors.<milestone n="119" unit="line"/>
                     <note anchored="true"><q>Will be shut out of doors</q>: No doubt by his mistress, when she has drained him of his money, and not by Micio himself, as Colman says he was once led to imagine.</note> Has he broken open a door—it shall be replaced; has he torn any one's clothes—they shall be mended. Thanks to the Gods, I both have means for doing this, and these things are not as yet an annoyance. In fine, either desist, or else find some arbitrator between us: I will show that in this matter you are the most to blame.</p></sp><sp><speaker>DEMEA</speaker><p> Ah me! Learn to be a father from those who are really so.</p></sp><sp><speaker>MICIO</speaker><p> You are his father by nature, I by my anxiety.</p></sp><sp><speaker>DEMEA</speaker><p> You, feel any anxiety?</p></sp><sp><speaker>MICIO</speaker><p> Oh dear,—if you persist, I'll leave you.</p></sp><sp><speaker>DEMEA</speaker><p> Is it thus you act?</p></sp><sp><speaker>MICIO</speaker><p> Am I so often to hear about the same thing?</p></sp><sp><speaker>DEMEA</speaker><p> I have some concern for my son.</p></sp><sp><speaker>MICIO</speaker><p> I have some concern for him too; but, Demea, let us each be concerned for his own share—you for the one, and I for the other. For, to concern yourself about both is almost the same thing as to demand him back again, whom you intrusted to me.</p></sp><sp><speaker>DEMEA</speaker><p> Alas, Micio!</p></sp><sp><speaker>MICIO</speaker><p> So it seems to me.</p></sp><sp><speaker>DEMEA</speaker><p> What am I to say to this? If it pleases you, henceforth—let him spend, squander, and destroy; it's nothing to me. If I say one word after this—</p></sp><sp><speaker>MICIO</speaker><p> Again angry, Demea?</p></sp><sp><speaker>DEMEA</speaker><p> Won't you believe me? Do I demand him back whom I have intrusted? I am concerned for him; I am not a stranger in blood; if I do interpose—well, well, I have done. You desire me to concern myself for one of them,—do concern myself; and I give thanks to the Gods, he is just as I would have him; that fellow of yours will find it out at a future day : I don't wish to say any thing more harsh against him. <stage>(Exit.)</stage>
                  </p></sp><sp><speaker>MICIO</speaker><p> These things are<milestone n="141" unit="line"/>
                     <note anchored="true"><q>These things are</q>: Donatus observes here, that Terence seems inclined to favor the part of mild fathers. He represents Micio as appalled at his adopted son's irregularities, lest if he should appear wholly unmoved, he should seem to be corrupting him, rather than to be treating him with only a proper degree of indulgence.</note> not nothing at all, nor yet all just as he says; still they do give me some uneasiness; but I was unwilling to show him that I took them amiss, for he is such a man; when I would pacify him, I steadily oppose and resist him; and in spite of it he hardly puts up with it like other men; but if I were to inflame, or even to humor his anger, I should certainly be as mad as himself. And yet Aesclhinus has done me some injustice in this affair. What courtesan has he not intrigued with? Or to which of them has he not made some present? At last, he recently told me that he wished to take a wife,<milestone n="151" unit="line"/>
                     <note anchored="true"><q>Wished to take a wife</q>: Donatus remarks here, that the art of Terence in preparing his incidents is wonderful. He contrives that even ignorant persons shall open the plot, as in the present instance, where we understand that Aeschinus has mentioned to Micio his intention of taking a wife, though he has not entered into particulars. This naturally leads us to the ensuing parts of the Play, without forestalling any of the circumstances.</note> I suppose he was just then tired of them all. I was in hopes that the warmth of youth had now subsided; I was delighted. But look now, he is at it again; however, I am determined to know it, whatever it is, and to go meet the fellow, if he is at the Forum. <stage>(Exit.)</stage>

                  </p></sp></div><milestone unit="act" n="2"/><milestone unit="scene" n="1"/><div type="textpart" n="157" subtype="card"><stage>Enter AESCHINUS and PARMENO with the MUSIC-GIRL, followed by SANNIO and a crowd of people.</stage><sp><speaker>SANNIO</speaker><p> I beseech you, fellow-citizens, do give aid to a miserable and innocent man; do assist the distressed.
</p></sp><sp><speaker>AESCHINUS</speaker><p><stage>to the GIIL.</stage> Be quiet, and now then stand here just where you are. Why do you look back? There's no danger; he shall never touch you while I am here.</p></sp><sp><speaker>SANNIO</speaker><p> I'll have her, in spite of all.</p></sp><sp><speaker>AESCHINUS</speaker><p> Though he is a villain, he'll not risk, to-day, getting a second beating.</p></sp><sp><speaker>SANNIO</speaker><p> Hear me, Aeschinus, that you may not say that you were in ignorance of my calling; I am a Procurer.<milestone n="161" unit="line"/>
                     <note anchored="true"><q>"I am a Procurer"</q>: He says this aloud, and with emphasis, relying upon the laws which were enacted at <placeName key="perseus,Athens">Athens</placeName> in favor of the "<foreign xml:lang="lat">lenones</foreign>," whose occupation brought great profits to the state, from their extensive trading in slaves. It was forbidden to maltreat them, under pain of being disinherited.</note>
                  </p></sp><sp><speaker>AESCHINUS</speaker><p> I know it.</p></sp><sp><speaker>SANNIO</speaker><p> And of as high a character as any one ever was. When you shall be excusing yourself by-and-by, how that you wish this injury had not been done me, I shall not value it this <stage>snapping his fingers</stage>. Depend upon it, I'll prosecute my rights; and you shall never pay with words for the evil that you have done me in deed. I know those ways of yours: "I wish it hadn't happened; I'll take my oath that you did not deserve this injustice;" while I myself have been treated in a disgraceful manner.</p></sp><sp><speaker>AESCHINUS</speaker><p><stage>to PARMENO.</stage> Go first with all dispatch and open the door. <stage>PARMENO opens the door.</stage>
                  </p></sp><sp><speaker>SANNIO</speaker><p> But you will avail nothing by this.</p></sp><sp><speaker>AESCHINUS</speaker><p><stage>To the GIRL.</stage> Now then, step in.</p></sp><sp><speaker>SANNIO</speaker><p><stage>coming between.</stage> But I'll not let her.</p></sp><sp><speaker>AESCHINUS</speaker><p> Step this way, Parmeno; you are gone too far that way; here <stage>pointing</stage>, stand close by him; there, that's what I want. Now then, take care you don't move your eyes in any direction from mine, that there may be no delay if I give you the sign, to your fist being instantly planted in his jaws.</p></sp><sp><speaker>SANNIO</speaker><p> I'd have him then try that.</p></sp><sp><speaker>AESCHINUS</speaker><p><stage>to PARMENO.</stage> Now then, observe me.</p></sp><sp><speaker>PARMENO</speaker><p><stage>to SANNIO.</stage> Let go the woman. <stage>Strikes him.</stage>
                  </p></sp><sp><speaker>SANNIO</speaker><p> Oh! scandalous deed!
</p></sp><sp><speaker>AESCHINUS</speaker><p> He shall repeat it, if you don't take care. <stage>PARMENO strikes him again.</stage>
                  </p></sp><sp><speaker>SANNIO</speaker><p> Oh shocking!</p></sp><sp><speaker>AESCHINUS</speaker><p><stage>to PARMENO.</stage> I didn't give the sign; but still make your mistakes on that side in preference. Now then, go. <stage>PARMENO goes with the MUSIC-GIRL into MICIO'S house.</stage>
                  </p></sp><sp><speaker>SANNIO</speaker><p> What is the meaning of this? Have you the sway here, Aeschinus?</p></sp><sp><speaker>AESCHINUS</speaker><p> If I had it, you should be exalted for your deserts.</p></sp><sp><speaker>SANNIO</speaker><p> What business have you with me?</p></sp><sp><speaker>AESCHINUS</speaker><p> None.</p></sp><sp><speaker>SANNIO</speaker><p> How then, do you know who I am?</p></sp><sp><speaker>AESCHINUS</speaker><p> I don't want to.</p></sp><sp><speaker>SANNIO</speaker><p> Have I touched any thing of yours?</p></sp><sp><speaker>AESCHINUS</speaker><p> If you had touched it, you'd have got a drubbing.</p></sp><sp><speaker>SANNIO</speaker><p> What greater right then have you to take my property, for which I paid my money? Answer me that.</p></sp><sp><speaker>AESCHINUS</speaker><p> It were better for you not to be making a disturbance here before the house; for if you persist in being impertinent, you shall be dragged in at once, and there you shall be lashed to death with whips.</p></sp><sp><speaker>SANNIO</speaker><p> A free man, with whips?</p></sp><sp><speaker>AESCHINUS</speaker><p> So it shall be.</p></sp><sp><speaker>SANNIO</speaker><p> Oh, you shameless fellow! Is this the place where they say there is equal liberty for all?</p></sp><sp><speaker>AESCHINUS</speaker><p> If you have now raved enough, Procurer, now then listen, if you please.</p></sp><sp><speaker>SANNIO</speaker><p> Why, is it I that have been raving, or you against me?</p></sp><sp><speaker>AESCHINUS</speaker><p> Leave alone all that, and come to the point.</p></sp><sp><speaker>SANNIO</speaker><p> What point? Where am I to come to?</p></sp><sp><speaker>AESCHINUS</speaker><p> Are you willing now that I should say something that concerns you?</p></sp><sp><speaker>SANNIO</speaker><p> With all my heart, only so it be something that's fair.</p></sp><sp><speaker>AESCHINUS</speaker><p> Very fine! a Procurer wishing me not to say what's unfair.</p></sp><sp><speaker>SANNIO</speaker><p> I am a Procurer,<milestone n="188" unit="line"/>
                     <note anchored="true"><q>I am a Procurer</q>: Westerhovins supposes this part to be a translation from the works of Diphilus.</note> I confess it-the common bane of youth—a perjurer, a public nuisance; still, no injury has befallen you from me.
</p></sp><sp><speaker>AESCHINUS</speaker><p> Why, faith, that remains to come—</p></sp><sp><speaker>SANNIO</speaker><p> Pray, Aeschinus, do come back to the point at which you set out.</p></sp><sp><speaker>AESCHINUS</speaker><p> You bought her for twenty nine; and may your bargain never thrive! That sum shall be given for her.</p></sp><sp><speaker>SANNIO</speaker><p> What if I don't choose to sell her to you? Will you compel me?</p></sp><sp><speaker>AESCHINUS</speaker><p> By no means.</p></sp><sp><speaker>SANNIO</speaker><p> I was afraid you would.</p></sp><sp><speaker>AESCHINUS</speaker><p> Neither do I think that a woman can be sold who is free; for I claim her by action of freedom.<milestone n="194" unit="line"/>
                     <note anchored="true"><q>By action of freedom</q>: "<foreign xml:lang="lat">Asserere liberati causa</foreign>," was to assert the freedom of a person, with a determination to maintain it at law. The "assertor" laid hands upon the person, declaring that he or she was free; and till the cause was tried, the person whose freedom was claimed, remained in the hands of the "assertor."</note> Now consider which you choose; take the money, or prepare yourself for the action. Think of it, Procurer, till I return.<milestone n="196" unit="line"/>
                     <note anchored="true"><q>Till I return</q>: Colman has a curious remark here: "I do not remember, in the whole circle of modern comedy, a more natural picture of the elegant ease and indifference of a fine gentleman, than that exhibited in this Scene in the character of Aeschinus."</note> 
                     <stage>He  goes into the house of MICIO.</stage>
                  </p></sp><sp><speaker>SANNIO</speaker><p><stage>to himself.</stage> O supreme <persName>Jupiter</persName>! I do by no means wonder that men run mad through ill usage. He has dragged me out of my house, beaten me, taken my property away against my will, and has given me, unfortunate wretch, more than five hundred blows. In return for all this ill usage he demands the girl to be made over to him for just the same price at which she was bought. But however, since he has so well deserved of me, be it so: he demands what is his due. Very well, I consent then, provided he only gives the money. But I suspect this; when I have said that I will sell her for so much, he'll be getting witnesses forthwith that I have sold her.<milestone n="204" unit="line"/>
                     <note anchored="true"><q>That I have sold her</q>: He means, that if he only names a price, Aeschinus will suborn witnesses to say that be has agreed to sell her, in which case Aeschinus will carry her off with impunity, and the laws will not allow him to recover her; as it will then be an ordinary debt, and he will be put off with all the common excuses used by debtors.</note> As to getting the money, it's all a dream. Call again by and by; come back to-morrow. I could bear with that too, hard as it is, if he would only pay it. But I consider this to be the fact; when you take up this trade, you must brook and bear in silence the affronts of these young fellows. However, no one will pay me; it's in vain for me to be reckoning upon that.</p></sp></div></div></body></text></TEI>