Why should I come? I can do nothing for you. CHARINUS But still, if any thing— DAVUS Well, well, I’ll come. CHARINUS If you can; I shall be at home. (Exit.) DAVUS Do you, Mysis, remain here a little while, until I come out. MYSIS For what reason? DAVUS There’s a necessity for so doing. MYSIS Make haste. DAVUS I’ll be here this moment, I tell you. (He goes into the house of GLYCERIUM.) MYSIS (to herself.) That nothing can be secure to any one! Ye Gods, by our trust in you! I used to make sure that this Pamphilus was a supreme blessing for my mistress; a friend, a protector, a husband secured under every circumstance; yet what anguish is she, poor thing, now suffering through him? Clearly there’s more trouble for her now than there was happiness formerly. But Davus is coming out. (Enter DAVUS from the house of GLYCERIUM with the child.) My good sir, prithee, what is that? Whither are you carrying the child? DAVUS Mysis, I now stand in need of your cunning being brought into play in this matter, and of your address. MYSIS Why, what are you going to do? DAVUS (holding out the child.) Take it from me directly, and lay it down before our door. MYSIS Prithee, on the ground? DAVUS (pointing.) Take some sacred herbs Take some sacred herbs : Verbena appears to have been a general term applied to any kind of herb used in honor of the Deities, or to the boughs and leaves of any tree gathered from a pure or sacred place. Fresh verbenae were placed upon the altars every day. See the Mercator of Plautus, 1. 672. from the altar here, From the altar here : It was usual to have altars on the stage; when Comedy was performed, one on the left hand in honor of Apollo, and on the representation of Tragedy, one on the right in honor of Bacchus. It has been suggested that Terence here alludes to the former of these. As, however, at Athens almost every house had its own altar in honor of Apollo Prostaterius just outside of the street door, it is most probable that to one of these altars reference is here made. They are frequently alluded to in the Plays of Plautus. and strew them under it. MYSIS Why don’t you do it yourself? DAVUS That if perchance I should have to swear to my master that I did not place it there, I may be enabled to do so with a clear conscience. MYSIS I understand; have these new scruples only just now occurred to you, pray? DAVUS Bestir yourself quickly, that you may learn what I’m going to do next. (MYSIS lays the child at SIMO’s door.) Oh Jupiter ! MYSIS (starting up.) What’s the matter? DAVUS The father of the intended bride is coming in the middle of it all. The plan which I had first purposed I now give up. Which I had first purposed, I now give up : His first intention no doubt was to go and inform Simo of the child being laid at the door. MYSIS I don’t understand what you are talking about. DAVUS I’ll pretend too that I’ve come in this direction from the right. Do you take care to help out the conversation by your words, whenever there’s necessity. Whenever there’s necessity : He retires without fully explaining his intention to Mysis; consequently, in the next Scene she gives an answer to Chremes which Davus does not intend. MYSIS I don’t at all comprehend what you are about; but if there’s any thing in which you have need of my assistance, as you understand the best, I’ll stay, that I mayn’t in any way impede your success. (DAVUS retires out of sight.) 
 (Enter CHREMES on the other side of the stage, going toward the house of SIMO.) CHREMES (to himself.) After having provided the things necessary for my daughter’s nuptials, I’m returning, that I may request her to be sent for. (Seeing the child.) But what’s this? I’faith, it’s a child. (Addressing MYSIS.) Woman, have you laid that here (pointing to the child.) ? MYSIS (aside, looking out for DAVUS.) Where is he? CHREMES Don’t you answer me?