Dramatis PersonaeTHE HOUSEHOLD GOD, who speaks the Prologue. EUCLIO, an aged Athenian. MEGADORUS, uncle of Lyconides. LYCONIDES, a young Athenian. STROBILUS, servant of Megadorus and Lyconides PYTHODICUS, servant of Megadorus. ANTHRAX Cooks CONGRIO EUNOMIA, the sister of Megadorus. PHAEDRA, the daughter of Euclio. STAPHYLA, an old woman, servant of Euclio. Scene — Athens, before the houses of EUCLIO and MEGADORUS and the Temple of Truth.)THE SUBJECT EUCLIO, a miserly old Athenian, has a daughter named Phaedra, who has been ravished by a young man named Lyconides, but is ignorant from whom she has received that injury. Lyconides has an uncle named Megadorus, who being ignorant of these circumstances, determines to ask Phaedra of her father, in marriage for himself. Euclio has discovered a pot of gold in his house which he watches with the greatest anxiety. In the meantime, Megadorus asks his daughter in marriage, and his proposal is accepted; and while preparations are making for the nuptials, Euclio conceals his treasure, first in on place and then in another. Strobilus, the servant of Lyconides, watches his movements, and, having discovered it, carries off the treasure. While Euclio is lamenting his loss, Lyconides accosts him, with the view of confessing the outrage he has committed on his daughter, and of announcing to him that his uncle, Megadorus, has cancelled his agreement to marry her, in favour of himself. Euclio at first thinks that he is come to confess the robbery of the treasure. After much parleying, his mistake is rectified, and the matter is explained; on which Lyconides forces Strobilus to confess the theft; and (although the rest of the Play In its original form is lost) we learn from the acrostic Argument that Strobilus gives up the treasure, and Lyconides marries the daughter of Euclio, and receives the gold for a marriage-portion. The Supplement written by Codrus Urcens to supply the place of what is lost has been added.THE ACROSTIC ARGUMENT OF PRISCIAN. A POT (Aulam) that he has found full of gold, Euclio watches with the greatest strictness (Vi), being distracted in a dreadful manner. Lyconides (Lyconides) debauches his daughter. Megadorus wishes (Vult) to marry her without a portion, and to do it in a cheerful way (Lubens), he provides cooks with provisions. Euclio is afraid on account of the gold (Auro); he drives them out of the house; and the whole matter (Re) having been seen, the servant of the ravisher steals it (Id). He discloses the matter to Euclio; by (Ab) him he is presented with the gold, a wife, and a son.

THE PROLOGUETitle Aulularia : This word is derived from the old Latin word aula, the same with the more recent form olla, signifying a pot, and whose diminutive was aulula, which had the same signification. It will be seen how conspicuous a part the aula performs in the Play. Warner says, in a Note to his Translation, that Molière took a great part of his Comedy, called L’Avare, from this play of Plautus; and that there are two English Comedies on the same plan, one by Shadwell, the other by Fielding, called the Miser. THE HOUSEHOLD GODLest any one should wonder who I am, I will tell you in a few words. I am the household God of this family, from whose house you have seen me coming forth. It is now many years that I have been occupying this house, and I inhabited it for the father and the grandfather of this person who now dwells here. But beseeching me, his grandfather entrusted to me a treasure of gold, unknown to all. He deposited it in the midst of the hearthMidst of the hearth: The Lares, or household Gods, were kept in the lararium, which was a recess near the focus, or hearth, and in which prayers were offered up by the Romans on rising in the morning. The hearth of fireplace was in the middle of the house, and was sacred to the Lares, praying me that I would watch it for him. He, when he died, was of such an avaricious disposition, that he would never disclose it to his own son, and preferred rather to leave him in want than to show that treasure to that son. He left him no large quantity of land, on which to live with great laboriousness and in wretchedness. When he died who had entrusted that gold to me, I began to take notice whether his son would any how pay greater honor to me than his father had paid me. But he was in the habit of venerating me still less and less by very much, and gave me a still less share of devotion. So in return was it done by me; and he likewise ended his life. He left this person who now dwells here, his son, of the same disposition as his father and grandfather were. He has an only daughter; she is always every day making offerings to me, either with incense, or wine, or something or other; she presents me, too, with chaplets. Out of regard for her, I have caused this Euclio to find this treasure, in order that he might more readily give her in marriage if he should wish; for a young man of very high rank has ravished her; this young man knows who it is that he has ravished; she knows him not, nor yet does her father know that she has been ravished. This day I shall cause the old gentleman here, our neighbour, to ask her as his wife; that will I do for this reason, that he may the more easily marry her who has ravished her. And this old gentleman who shall ask her as his wife, the same is the uncle of that young man who debauched her in the night time at the festival of CeresFestival of Ceres: He probably alludes to the Thesmophoria, a festival which was celebrated in honor of the Goddess Ceres, and a large portion of the rites whereof were solemnized in the night time. In general it was celebrated only by the married women, though, as we find in the present instance, the maidens took some part in a portion of the ceremonial. It was said to have been celebrated in the night time in commemoration of the search by Ceres, with a torch in her hand, for her daughter Proserpine, when ravished by Pluto. No lights were used on the occasion, which will account, in a great measure, for the mishap of Phaedra in the present instance, without her knowing who was the party that had insulted her. See an able article on the Thesmophoria in Dr Simth’s Dictionary of Antiquities.. But this old fellow is now making an uproar in the house, as usual; he is thrusting the old woman out of doors, that she may not be privy to the secret. I suppose he wants to look at the gold, if it be not stolen.

(Enter EUCLIO, driving out STAPHYLA.)EUCLIOGet out, I say, be off, get out; by my troth, you must budge out of this house here, you pryabout woman, with your inquisitive eyes.STAPHYLAPray why are you beating me, wretched creature that I am?EUCLIOThat you may be wretched, and that, curst as you are. you may pass a curst life, well befitting you.STAPHYLABut for what reason have you now pushed me out of the house?EUCLIOAm I to be giving you a reason, you whole harvest of whips Harvest of whips: Stimulorum seges. Literally, you corn-field of whips. He means, that he will make her, body as full of weals from whipping in a corn-field is of ears of corn.. Get away there from the door! There, do look, if you please, how she does creep along. But do you know how matters stand with you? If I just now take a stick or a whip in my hand, I’ll quicken that tortoise pace for you.STAPHYLAO that the Gods would drive me to hang myself, rather indeed than that I should be a slave in your house on these terms!EUCLIOHark how the hag is grumbling to herself! By my troth, you wretch, I’ll knock out those eyes of yours, that you mayn’t be able to watch me, what business I’m about. Get out (pushes her with his hands)—further yet! still further! further! There now, stand you there! By my faith, if you budge a finger’s breadth, or a nail’s width from that spot, or if you look back until I shall order you, i’ faith, I’ll give you up at once as a trainer for the gibbet.(Aside.)I know for sure that I did never see one more accursed than this hag, and I’m sadly in fear of her, lest she should be cheating me unawares, or be scenting it out where the gold is concealed, a most vile wretch, who has eyes in the back of her head as well. Now I’ll go and see whether the gold is just as I concealed it, that so troubles wretched me in very many ways.(He goes into his house.)STAPHYLABy heavens, I cannot now conceive what misfortune, or what insanity, I am to say has befallen my master; in such a way does he often, ten times in one day, in this fashion push wretched me out of the house. I’ faith, I know not what craziness does possess this man; whole nights is he on the watch; then, too, all the day long does he sit for whole days together at home like a lame cobbler A lame cobbler: Of course, lame people would be the most likely to take to such a sedentary employment as that of a cobbler. Nor can I imagine now by what means to conceal the disgrace of my master’s daughter, whose lying-in approaches near; and there isn’t anything better for me, as I fancy, than to make one long capital letter Long capital letter: She means to say, that she shall be forced to make a letter I of herself, by hanging herself. In so saying, she not only alludes to the straight and perpendicular form of that letter, but to its being especially long in the Roman mode of writing. of myself, when I’ve tied up my neck in a halter.

(Enter EUCLIO, from his house.)EUCLIO(to himself.)Now, with my mind at ease, at length I go out of my house, after I’ve seen that everything is safe in-doors. Now do you return at once into the house (to STAPHYLA), and keep watch in-doors.STAPHYLAKeep watch in-doors upon nothing at all, forsooth! or is it, that no one may carry the house away. For here in our house there’s nothing else for thieves to gain, so filled is it with emptiness Filled is it with emptiness: The expression, full of emptiness, is intended as a piece of wit on the part of the old woman. Perhaps Euclio would not have the spiders molested, because they were considered to bring good luck. and cobwebs.EUCLIO’Tis a wonder that, for your sake, Jupiter doesn’t now make me a King Philip, or a DariusPhilip, or a Darius: The names of Philip, King of Macedon, and Darius, King of Persia, as powerful and wealthy monarchs, would be likely to be well known to the writers of the new Greek Comedy, from whom Plautus borrowed most, if not all, of his plays., you hag of hags. I choose those cobwebs to be watched for me. I am poor, I confess it—I put up with it. What the Gods send, I endure. Go in-doors, shut to the door, I shall be there directly.Take you care not to let any strange person into the house.