<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text><body><div type="translation" n="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2" xml:lang="eng"><div type="textpart" subtype="chapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2" n="5"><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:5" n="3"><p rend="align(indent)"> The various stages of tragedy and the originators of each are well known, but comedy remains obscure because it was not at first treated seriously. <milestone unit="page" resp="Bekker" n="1449b"/><milestone n="1" resp="Bekker" unit="line"/>Indeed it is only quite late in its history<note resp="Fyfe">Probably about <date when="-0465">465</date> B.C.</note> that the archon granted a chorus for a comic poet; before that they were volunteers.<note resp="Fyfe">In the fifth century dramatists submitted their plays to the archon in charge of the festival at which they wished them to be performed. He selected the number required by the particular festival, and to the poets thus selected <q rend="double" type="mentioned">granted a chorus,</q> i.e., provided a choregus who paid the expenses of the chorus. The earlier <q rend="double" type="mentioned">volunteers</q> had themselves paid for and produced their plays.</note></p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:5" n="4"><p>Comedy had already taken certain forms before there is any mention of those who are called its poets. Who introduced masks or prologues, the number of actors, and so on, is not known.</p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:5" n="5"><p>Plot making [Epicharmus and Phormis]<note resp="Fyfe">Epicharmus and Phormis, being both early Sicilian <q rend="double" type="emph">comedians</q>, are appropriate here. Either part of a sentence is lost or an explanatory note has got into the text.</note> originally came from <placeName key="tgn,7003122">Sicily</placeName>,</p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:5" n="6"><p>and of the Athenian poets Crates<note resp="Fyfe">Fragments of his comedies survive, dating about the middle of the fifth century B.C.</note> was the first to give up the lampooning form and to generalize his dialogue and plots.</p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:5" n="7"><p rend="align(indent)"> Epic poetry agreed with tragedy only in so far as it was a metrical representation of heroic action, but inasmuch as it has a single metre and is narrative in that respect they are different.</p></div></div></div></body></text></TEI>