<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text><body><div type="translation" n="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2" xml:lang="eng"><div type="textpart" subtype="chapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2" n="3"><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:3" n="5"><p>And for this reason the Dorians claim as their own both tragedy and comedy—comedy is claimed both by the Megarians here in <placeName key="tgn,1000074">Greece</placeName>, who say that it originated in the days of their democracy, and by the Megarians in <placeName key="tgn,7003122">Sicily</placeName>,<note resp="Fyfe">The inhabitants of <placeName key="perseus,Megara Hyblaea">Megara Hyblaea</placeName>.</note> for it was from there the poet Epicharmus<note resp="Fyfe">Epicharmus of Cos wrote in <placeName key="tgn,7003122">Sicily</placeName> burlesques and <q rend="double" type="emph">mimes</q> depicting scenes of daily life. He and Phormis were <q rend="double" type="emph">originators of comedy</q> in that they sketched types instead of lampooning individuals (cf. <bibl n="Aristot. Poet. 1449b">Aristot. Poet. 5.5</bibl>): of Chionides and Magnes we only know that they were <q rend="double" type="emph">early</q> comedians, i.e., in the first half of the fifth century B.C.</note> came, who was much earlier than Chionides and Magnes; and tragedy some of the Peloponnesians claim. Their evidence is the two names.</p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:3" n="6"><p>Their name, they say, for suburb villages is <foreign xml:lang="grc">κῶμαι</foreign>—the Athenians call them <q rend="double" type="soCalled">Demes</q>—and comedians are so called not from <foreign xml:lang="grc">κωμάζειν</foreign>, <q rend="double" type="gloss">to revel,</q> but because they were turned out of the towns and went strolling round the villages( <foreign xml:lang="grc">κῶμαι</foreign>). <milestone unit="page" resp="Bekker" n="1448b"/><milestone n="1" resp="Bekker" unit="line"/>Their word for action, they add, is <foreign xml:lang="grc">δρᾶν</foreign>, whereas the Athenian word is <foreign xml:lang="grc">πράττειν</foreign>. So much then for the differences, their number, and their nature.</p></div></div><div type="textpart" subtype="chapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2" n="4"><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:4" n="1"><p rend="align(indent)"> Speaking generally, poetry seems to owe its origin to two particular causes, both natural.</p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:4" n="2"><p>From childhood men have an instinct for representation, and in this respect, differs from the other animals that he is far more imitative and learns his first lessons by representing things. And then there is the enjoyment people always get from representations.</p></div><div type="textpart" subtype="subchapter" xml:base="urn:cts:greekLit:tlg0086.tlg034.perseus-eng2:4" n="3"><p>What happens in actual experience proves this, for we enjoy looking at accurate likenesses of things which are themselves painful to see, obscene beasts, for instance, and corpses.</p></div></div></div></body></text></TEI>