My dear Philo, There is a story of a curious epidemic at Abdera, just after the accession of King Lysimachus. It began with the whole population’s exhibiting feverish symptoms, strongly marked and unintermittent from the very first attack. About the seventh day, the fever was relieved, in some cases by a violent flow of blood from the nose, in others by perspiration not less violent. The mental effects, however, were most ridiculous; they were all stage-struck, mouthing blank verse and ranting at the top of their voices. Their favourite recitation was the Andromeda of Euripides; one after another would go through the great speech of Perseus; the whole place was full of pale ghosts, who were our seventh-day tragedians vociferating, O Love, who lord’st it over Gods and men, and the rest of it, This continued for some time, till the coming of winter put an end to their madness with a sharp frost. I find the explanation of the form it took in this fact: Archelaus was then the great tragic actor, and in the middle of the summer, during some very hot weather, he had played the Andromeda there; most of them took the fever in the theatre, and convalescence was followed by a relapse—into tragedy, the Andromeda haunting their memories, and Perseus hovering, Gorgon’s head in hand, before the mind’s eye. Well, to compare like with like, the majority of our educated class is now suffering from an Abderite epidemic. They are not stage-struck, indeed; that would have been a minor infatuation—to be possessed with other people’s verses, not bad ones either; no; but from the beginning of the present excitements—the barbarian war, the Armenian disaster, the succession of victories—you cannot find a man but is writing history; nay, every one you meet is a Thucydides, a Herodotus, a Xenophon. The old saying must be true, and war be the father of all things See note on Icaromenippus, 8. , seeing what a litter of historians it has now teemed forth at a birth. Such sights and sounds, my Philo, brought into my head that old anecdote about the Sinopean. A report that Philip was marching on the town had thrown all Corinth into a bustle; one was furbishing his arms, another wheeling stones, a third patching the wall, a fourth strengthening a battlement, every one making himself useful somehow or other. Diogenes having nothing to do—of course no one thought of giving him a job— was movéd by the sight to gird up his philosopher’s cloak and begin rolling his tub-dwelling energetically up and down the Craneum; an acquaintance asked, and got, the explanation ‘I do not want to be thought the only idler in such a busy multitude; I am rolling my tub to be like the rest.’ I too am reluctant to be the only dumb man at so vociferous a season; I do not like walking across the stage, like a ‘super’, in gaping silence; so I decided to roll my cask as best I could. I do not intend to write a history, or attempt actual narrative; I am not courageous enough for that; have no apprehensions on my account; I realize the danger of rolling the thing over the rocks, especially if it is only a poor little jar of brittle earthenware like mine; I should very soon knock against some pebble and find myself picking up the pieces. Come, I will tell you my idea for campaigning in safety, and keeping well out of range. Give a wide berth to all that foam and spray, and to the anxieties which vex the historian—that I shall be wise enough to do; but I propose to give a little advice, and lay down a few principles for the benefit of those who do venture. I shall have a share in their building, if not in the dedicatory inscription; my finger-tips will at least have touched their wet mortar. However, most of them see no need for advice here: there might as well-be an art of talking, seeing, or eating 3 historywriting ts perfectly easy, comes natural, is a universal gift; all that is necessary is the faculty of translating your thoughts into words. But the truth is—you know it without my telling, old friend—, it is mot a task to be lightly undertaken, or carried through without effort; no, it needs as much care as any sort of composition whatever, if one means to create ‘a possession for ever,’ as Thucydides calls it. Well, I know I shall not get a hearing from many of them, and some will be seriously offended —especially any who have finished and produced their work; in cases where its first reception was favourable, it would be folly to expect the authors to recast or correct; has it not the stamp of finality? is it not almost a State document? Yet even they may profit by my words; we are not likely to be attacked again; we have disposed of all our enemies; but there might be a Celto-Gothic or an Indo-Bactrian war; then our friends’ composition might be improved by the application of my measuringrod—always supposing that they recognize its correctness; failing that, let them do their own mensuration with the old footrule; the doctor will not particularly mind, though all Abdera insists on spouting the Andromeda .