Now consider how the tyrant may be supposed to have acted and spoken as his end approached.—His son lies mortally wounded at my hand; the wounds are many, and are exposed to view, that so the father’s heart may be torn asunder at the very first sight of him. He cries out piteously to his father, not for help —he knows the old man’s feebleness—, but for sympathy in his sufferings. I meanwhile am making my way home: I have written in the last line of my tragedy, and now I leave the stage clear for the actor; there is the body, the sword, all that is necessary to complete the scene. The father enters. He beholds his son, his only son, gasping, blood-stained, weltering in gore; he sees the wounds—mortal wound upon wound—and exclaims: ‘Son, we are slain, we are destroyed, we are stricken in the midst of our power. Where is the assassin? For what fate does he reserve me, who am dead already in thy death, O my son? Because I am old he fears me not, he withholds his vengeance, and would prolong my torment.’ Then he looks for a sword; he has always gone unarmed himself, trusting all to his son. The sword is not wanting; it has been waiting for him all this time; I left it ready for the deed that was to follow. He draws it from the wound and speaks: ‘Sword, that but a moment past hast slain me, complete thy work: comfort the stricken father, aid his aged hand; dispatch, slay, make an end of the tyrant and his grief. Would that I had met thee first, that my blood had been shed before his! I could but have died a tyrant’s death, and should have left an avenger behind me. And now I die childless: I have not so much as a murderer at my need.’ Even as he speaks, with trembling hand he plunges the sword into his breast: he is in haste to die; but that feeble hand lacks strength to do its dread office. Is he punished? Are these wounds? Is this death? A tyrant’s death? Is there reward for this? The closing scene you have all witnessed: the son—no mean antagonist—prostrate in death; the father fallen upon him; blood mingling with blood, the drink-offering of Victory and Freedom; and in the midst my sword, that wrought all; judge by its presence there, whether the weapon was unworthy of its master, whether it did him faithful service. Had all been done by my hand, it had been little; the strangeness of the deed is its glory. The tyranny was overthrown by me, and no other; but many actors had their part to play in the drama. The first part was mine; the second was the son’s; the third the tyrant’s; and my sword was never absent from the stage.