<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg045.perseus-eng2" xml:lang="eng"><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg045.perseus-eng2" subtype="section" n="71"><p>
Again, some of the other pursuits promise to give
pleasure and others profit, but only the dance has
both; and indeed the profit in it is far more beneficial for being associated with pleasure. How much
more delightful it is to see than young men boxing,
astream with blood, and other young men wrestling
in the dust! Why, the dance often presents them
in a way that is less risky and at the same time more
beautiful and pleasurable. As to the energetic
movement of the dance, its twists and turns and
leaps and back-flung poses, they are really not only
pleasurable to the spectators, but highly healthful
for the performers themselves. I should call it the
most excellent and best balanced of gymnastic exercises, since besides making the body soft, supple and
light, and teaching it to be adroit in shifting, it also
contributes no little strength.
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg045.perseus-eng2" subtype="section" n="72"><p>
Then why is not dancing a thing of utter harmony, putting a fine edge upon the soul, disciplining
the body, delighting the beholders and teaching
them much that happened of old, to the accompaniment of flute and cymbals and cadenced song and
magic that works its spell through eye and ear
alike? If it is felicity of the human voice that you
seek, where else can you find it or what can you hear
that is more richly vocal or more melodious? If it
is the high-pitched music of the flute or of the syrinx,


<pb n="v.5.p.277"/>

in the dance you may enjoy that also to the full. I
forbear to mention that you will become better in
character through familiarity with such a spectacle,
when you see the assembly detesting misdeeds, weeping over victims of injustice, and in general schooling the characters of the individual spectators.
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg045.perseus-eng2" subtype="section" n="73"><p>

But
let me tell you in conclusion what is particularly to
be commended in our dancers: that they cultivate
equally both strength and suppleness of limb seems
to me as amazing as if the might of Heracles and
the daintiness of Aphrodite were to be manifested
in the same person.
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg045.perseus-eng2" subtype="section" n="74"><p>
I wish now to depict for you in words what a good
dancer should be like in mind and in body. To be
sure, I have already mentioned most of his mental
qualities. I hold, you know, that he should be
retentive of memory, gifted, intelligent, keenly
inventive, and above all successful in doing the
right thing at the right time; besides, he should be
able to judge poetry, to select the best songs and
melodies, and to reject worthless compositions.
</p></div><div type="textpart" xml:base="urn:cts:greekLit:tlg0062.tlg045.perseus-eng2" subtype="section" n="75"><p>
What I propose to unveil now is his body, which will
conform to the canon of Polyclitus. It must be
neither very tall and inordinately lanky, nor short
and dwarfish in build, but exactly the right measure,
without being either fat, which would be fatal to
any illusion, or excessively thin; for that would
suggest skeletons and corpses.
</p></div></div></body></text></TEI>