<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text xml:lang="eng"><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg039.perseus-eng4" xml:lang="eng"><div type="textpart" subtype="section" xml:base="urn:cts:greekLit:tlg0062.tlg039.perseus-eng4:" n="9"><p>So far we may trust our sculptors and painters and poets: but for her crowning glory, for the grace—nay, the choir of Graces and Loves that encircle her—who shall portray them?</p><p><label>Polystratus</label> This was no earthly vision, Lycinus; surely she must have dropped from the clouds.—And what was she doing?</p><p><label>Lycinus</label> In her hands was an open scroll; half read (so I surmised) and half to be read. As she passed, she was making some remark to one of her company; what it was I did not catch. But when she smiled, ah! then, Polystratus, I beheld teeth whose whiteness, whose unbroken regularity, who shall describe? Imagine a lovely necklace of gleaming pearls, all of a size; and imagine those dazzling rows set off by ruby lips. In that glimpse, I realized what Homer meant by his ‘carven ivory.” Other women’s teeth differ in size; or they project; or there are gaps: here, all was equality and evenness; pearl joined to pearl in unbroken line. Oh, ’twas a wondrous sight, of beauty more than human.

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