‘In the next picture, a tale of retributive justice is dramatically set forth. The painter seems to have taken his hint from Euripides or Sophocles; each of them has portrayed this incident. The two young men are friends: Pylades of Phocis, and Orestes, who is thought to be dead. They have stolen into the palace unobserved, and together they slay Aegisthus. Clytemnestra has already been dispatched: her body lies, halfnaked, upon a bed; all the household stand aghast at the deed; some cry out, others look about for means of escape. A fine thought of the painter’s: the matricide is but slightly indicated, as a thing achieved: with the slaying of the paramour, it is otherwise; there is something deliberate in the manner in which the lads go about their work.

‘Next comes a more tender scene. We behold a, comely God, and a beautiful boy. The boy is Branchus: sitting on a rock, he holds out a hare to tease his dog, who is shown in the act of jumping for it. Apollo looks on, well pleased: half of his smile is for the dog’s eagerness, and half for the mischievous boy.