Remember, then: whatever the imperfections in my speech, the author is not to be called to account; he sits

 

far aloof from the stage, and knows nothing of what is going forward. The memory of the actor is all that you are invited to criticize; I am neither more nor less than the ‘Messenger’ in a tragedy. At each flaw in the argument, be this your first thought, that the author probably said something quite different, and much more to the point;—and then you may hiss me off if you will.

 Friend Bless me; here is quite a professional exordium! You are about to add, I think, that ‘your consultation with your client has been but brief’; that you ‘come into court imperfectly instructed’; that ‘it were to be desired that your client were here to plead his own cause; as it is, you are reduced to such a meagre and inadequate statement of the case, as memory will supply” Am I right? Well then, spare yourself the trouble, as far as I am concerned. Imagine all these preliminaries settled. I stand prepared to applaud: but if you keep me waiting, I shall harbour resentment all through the case, and hiss you accordingly.

 Lucian I should, indeed, have been glad to avail myself of the arguments you mention, and of others too. I might have said, that mine would be no set speech, no orderly statement such as that I heard; that is wholly beyond me. Nor can I speak in the person of Nigrinus. There again I should be like a bad actor, taking the part of Agamemnon, or Creon, or Heracles’ self; he is arrayed in cloth of gold, and looks very formidable, and his mouth opens tremendously wide; and what comes out of it?
A little, shrill, womanish pipe of a voice that would disgrace Polyxena or Hecuba! I for my part have no intention of exposing myself in a mask several sizes too large for me, or of wearing a robe to which I cannot do credit. Rather than play the hero’s part, and involve him in my discomfiture, I will speak in my own person.