<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text xml:lang="eng"><body><div type="translation" n="urn:cts:greekLit:tlg0062.tlg007.perseus-eng4" xml:lang="eng"><div type="textpart" subtype="section" xml:base="urn:cts:greekLit:tlg0062.tlg007.perseus-eng4:" n="7"><p>A lover, in the absence

<pb n="v.1.p.14"/>

of his mistress, remembers some word, some act of hers, dwells on it, and beguiles hours of sickness with her feigned presence. Sometimes he thinks he is face to face with her; words, heard long since, come again from her lips; he rejoices; his soul cleaves to the memory of the past, and has no time for present vexations. It is so with me. Philosophy is far away, but I have heard a philosopher’s words. I piece them together, and revolve them in my heart, and am comforted. Nigrinus is the beacon-fire on which, far out in mid-ocean, in the darkness of night, I fix my gaze; I fancy him present with me in all my doings; I hear ever the same words. At times, in moments of concentration, I see his very face, his voice rings in my ears. Of him it may truly be said, as of Pericles,

<l>In every heart he left his sting.</l></p><p><label>Friend</label> Stay, gentle enthusiast. Take a good breath, and start again; I am waiting to hear what Nigrinus said.</p></div><div type="textpart" subtype="section" xml:base="urn:cts:greekLit:tlg0062.tlg007.perseus-eng4:" n="8"><p>You beat about the bush in a manner truly exasperating.</p><p><label>Lucian</label> True, I must make a start, as you say. And yet... Tell me, did you never see a tragedy (nay, the comedies fare no better) murdered by bad acting, and the culprits finally hissed off the stage for their pains? As often as not the play is a perfectly good one, and has scored a success,</p><p><label>Friend</label> I know the sort of thing; and what about it?</p><p><label>Lucian</label> I am afraid that before I have done you will find that I make as sad work of it as they do,—jumbling things together pell-mell, spoiling the whole point sometimes by inadequate expression; and you will end by damning the play instead of the actor. I could put up with my own share of the disgrace; but it would vex me indeed, that my subject should be involved in my downfall; I cannot have it discredited for my shortcomings.</p></div><div type="textpart" subtype="section" xml:base="urn:cts:greekLit:tlg0062.tlg007.perseus-eng4:" n="9"><p>Remember, then: whatever the imperfections in my speech, the author is not to be called to account; he sits

<pb n="v.1.p.15"/>

far aloof from the stage, and knows nothing of what is going forward. The memory of the actor is all that you are invited to criticize; I am neither more nor less than the ‘Messenger’ in a tragedy. At each flaw in the argument, be this your first thought, that the author probably said something quite different, and much more to the point;—and then you may hiss me off if you will.

</p></div><div type="textpart" subtype="section" xml:base="urn:cts:greekLit:tlg0062.tlg007.perseus-eng4:" n="10"><p><label>Friend</label> Bless me; here is quite a professional exordium! You are about to add, I think, that ‘your consultation with your client has been but brief’; that you ‘come into court imperfectly instructed’; that ‘it were to be desired that your client were here to plead his own cause; as it is, you are reduced to such a meagre and inadequate statement of the case, as memory will supply” Am I right? Well then, spare yourself the trouble, as far as I am concerned. Imagine all these preliminaries settled. I stand prepared to applaud: but if you keep me waiting, I shall harbour resentment all through the case, and hiss you accordingly.

</p></div></div></body></text></TEI>