I have spoken the words of truth and justice, and would persuade myself that I have merited your approbation rather than your resentment:
And now I must explain to you the origin of my present offering, and the manner in which it came into my hands. For it was by no instructions of mine that the statuary made this bull: far be it from me to aspire to the possession of such works of art! A countryman of my own, one Perilaus, an admirable artist, but a man of evil disposition, had so far mistaken my character as to think that he could win my regard by the invention of a new form of torture; the love of torture, he thought,

 

was my ruling passion, He it was who made the bull and bronght it to me. I no sooner set eyes on this beautiful and exquisite piece of workmanship, which lacked only movement and sound to complete the illusion, than I exclaimed: “ Here is an offering fit for the God of Delphi: to him I must send it.” “And what will you say,” rejoined Perilaus, who stood by, "when you see the ingenious mechanism within it, and learn the purpose it is designed to serve?” He opened the back of the animal, and continued: "When you are minded to punish any one, shut him up in this receptacle, apply these pipes to the nostrils of the bull, and order a fire to be kindled beneath. The occupant will shriek and roar in unremitting agony; and his cries will come to you through the pipes as the tenderest, most pathetic, most melodious of bellowings. Your victim will be punished, and you will enjoy the music.”

 ‘His words revolted me. I loathed the thought of such ingenious cruelty, and resolved to punish the artificer in kind. “If this is anything more than an empty boast, Perilaus,” I said to him, “if your art can really produce this effect, get inside yourself, and pretend to roar; and we will see whether the pipes will make such music as you describe.” He consented; and when he was inside I closed the aperture, and ordered a fire to be kindled. “ Receive,” I cried, “ the due reward of your wondrous art: let the music-master be the first to play.” Thus did his ingenuity meet with its deserts. But lest the offering should be polluted by his death, I caused him to be removed while he was yet alive, and his body to be flung dishonoured from the cliffs. The bull, after due purification, I sent as an offering to your God, with an inscription upon it, setting forth all the circumstances; the names of the donor and of the artist, the evil design of the latter, and the righteous sentence which condemned him to illustrate by his own agonized shrieks the efficacy of his musical device.

 

‘And now, men of Delphi, you will be doing mé no more than justice, if you join my ambassadors in making sacrifice on my behalf, and set up the bull in a conspicuous part of the temple; that all men may know what is my attitude towards evil-doers, and in what manner I chastise their inordinate craving after wickedness. Herein is a sufficient indication of my character: Perilaus punished, the bull consecrated, not reserved for the bellowings of other victims. The first and last melody that issued from those pipes was wrung from their artificer; that one experiment made, the harsh, inhuman notes are silenced for ever. So much for the present offering, which will be followed by many others, so soon as the God vouchsafes me a respite from my work of chastisement.’ Such was the message of Phalaris; and his statement is in strict accordance with the facts. You may safely accept our testimony, as we are acquainted with the circumstances, and can have no object in deceiving you on the present occasion. Must entreaty be added? Then on behalf of one whose character has been misrepresented, and whose severities were forced upon him against his will, we implore you,—we who are Agrigentines, Greeks like yourselves and of Dorian origin—to accept his offer of friendship, and not to thwart his benevolent intentions towards your community and the individuals of which it is composed. Take the bull into your keeping; consecrate it; and offer up your prayers on behalf of Agrigentum and of Phalaris, Suffer us not to have come hither in vain: repulse not our master with scorn: nor deprive the God of an offering whose intrinsic beauty is only equalled by its righteous associations, F

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 PHALARIS, II Men of Delphi: I stand in no public relation to the city of Agrigentum, in no private relation to its ruler; I am bound to him neither by gratitude for past favours, nor by the prospect of future friendship: but I have heard the just and temperate plea advanced by his emissaries, and I rise to advocate the claims of religion, the interests of our community, the duties of the priesthood; I charge you, thwart not the pious intention of a mighty prince, nor deprive the God of an offering which in the intention of the donor is already his, and which is destined to serve as an eternal threefold record,—of the sculptor’s art, of inventive cruelty, and of righteous retribution. To me it seems that only to have raised this question, only to have halted between acceptance and rejection, is in itself an offence against Heaven; nay, a glaring impiety. For what is this but a sacrilege more heinous than that of the temple-robber, who does but plunder those sacred things to which you would even deny consecration? I implore you,—your fellow priest, your partner in good report (if so it may be), or in evil (should that now befall us), implores you: close not the temple-doors upon the devout worshipper; suffer us not to be known to the world as men who examine jealously into the offerings that are brought, and subject the donor’to the narrow scrutiny of a court, and to the hazard of a vote. For who would not be deterred at the thought that the God accepts no offering without the previous sanction of his priests?:

Already Apollo has declared his true opinion.