These are the things which Moses calls idols, resembling shadows and phantoms, and having about them nothing strong, or trustworthy, or lasting; for they are tossed about like the unstable wind, and are subject to all kinds of variations and changes. And the greatest possible proof of this is that, when people have not at all expected it, it suddenly has descended upon them; and, again, when they fancied that they had taken firm hold of it, it has flown away.


And when, indeed, it is present, then images appear as in a mirror, deceiving the outward senses and imposing upon them with traps, and appearing as if they would last for a long time, while in reality they do not endure. And why need I explain how unstable the wealth and pride of men are, which vain opinions decorate with showy colours? For, before now, some men have existed who have affirmed that


 Leviticus xix. 4. 


 
all other animals and plants, of which there is any birth or any decay, are in one continual and incessant state of transition, and that the external sense of this transition is somewhat indistinct, inasmuch as the swiftness of nature surpasses the very quickest and most precise glance of the vision.


 But not only are wealth, and glory, and all other such things, mere phantoms and unsubstantial images, but also all the other deceits which the inventors of fables have devised, puffing themselves up by reason of their ingenuity, while they have been raising a fortification of false opinion in opposition to the truth, bringing in God as if by some theatrical machine, in order to prevent the everlasting and only true existing God from being consigned to oblivion, are so likewise. But such men have adapted their falsehood to melodies, and rhythm, and metres, with a reference to what is persuasive, thinking that by these means they should easily cajole all who read their works.


 Not but what they have also joined to themselves the arts of statuary and painting as co-partners in their system of deceit, in order that, bringing over the spectators by well-fabricated appearances of colours, and forms, and distinctive qualities, and having won over by their allurements those principal outward senses of sight and hearing, the one by the exquisite beauty of lifeless forms, and the other by a poetical harmony of numbers—they may ravish the unstable soul and render it feeble, and deprive it of any settled foundation.


 On this account, Moses, being well aware that pride had by that time advanced to a very high pitch of power, and that it was well guarded by the greater part of mankind, and that too not from compulsion but of their own accord, and fearing lest those men who are admirers of uncorrupted and genuine piety may be carried away as by a torrent, stamped a deep impression on the minds of men, engraving piety on them, in order that the impression he thus made might not become confused or weakened, so as at last to become wholly effaced by time. And he is constantly prophesying and telling his people that there is one God, the creator and maker of the universe; and at other times he teaches them that he is the Lord of all created things, since all that is firm, and solid, and really stable and sure, is by nature so framed as to be connected with him alone.