<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text xml:lang="eng"><body><div type="translation" xml:lang="eng" n="urn:cts:greekLit:tlg0007.tlg091.perseus-eng3"><div type="textpart" subtype="section" n="2"><p rend="indent"><said who="#Philinus"><label>PHILINUS.</label> The guides were going through their prearranged programme, paying no heed to us who begged that they would cut short their harangues and their expounding of most of the inscriptions. The appearance and technique of the statues had only a moderate attraction for the foreign visitor, who, apparently, was a connoisseur in works of art. He did, however, admire the patina of the bronze, for it bore no resemblance to verdigris or rust, but the bronze was smooth and shining with a deep blue tinge, so that it gave an added touch to the sea-captains<note resp="editor" place="unspecified" anchored="true">Presumably the thirty-seven statues of Lysander and his officers (erected after the battle of Aegospotami), which stood near the entrance inside the sacred precinct. <foreign xml:lang="lat">Cf.</foreign> <title rend="italic">Life of Lysander</title>, chap. xviii. (443 a).</note> (for he had begun his sight-seeing with them), as they stood there with the true complexion of the sea and its deepest depths.</said><pb xml:id="v.5.p.263"/></p><p rend="indent"><said who="#Philinus" rend="merge"><q>Was there, then,</q> said he, <q>some process of alloying and treating used by the artizans of early times for bronze, something like what is called the tempering of swords, on the disappearance of which bronze carne to have a respite from employment in war? As a matter of fact,</q> he continued, <q>it was not by art, as they say, but by accident that the Corinthian bronze<note resp="editor" place="unspecified" anchored="true">Tempering in the water of Peirene was held to be one important factor in the production of Corinthian bronze. <foreign xml:lang="lat">Cf. e.g.</foreign> Pausanias, ii. 3. 3. On the whole subject of Corinthian bronze, it is worth while to consult an article by T. Leslie Shear, <q>A Hoard of Coins found in Corinth in 1930,</q> in the <title rend="italic">American Journal of Archaeology</title>, xxv. (1931) pp. 139-151, which records the results of chemical analyses of samples of the bronze.</note> acquired its beauty of colour; a fire consumed a house containing some gold and silver and a great store of copper, and when these were melted and fused together, the great mass of copper furnished a name because of its preponderance.</q> </said></p><p rend="indent"><said who="#Philinus" rend="merge"> Theon, taking up the conversation, said, <q>We have heard another more artful account, how a worker in bronze at Corinth, when he had come upon a hoard containing much gold, fearing detection, broke it off a little at a time and stealthily mixed it with his bronze, which thus acquired a wondrous composition. He sold it for a goodly price since it was very highly esteemed for its colour and beauty. However, both this story and that are fiction, but there was apparently some process of combination and preparation; for even now they alloy gold with silver<note resp="editor" place="unspecified" anchored="true">Making the ancient electrum, which was often used for coinage, plate, and similar purposes.</note> and produce a peculiar and extraordinary, and, to my eyes, a sickly paleness and an unlovely perversion.</q> </said></p></div></div></body></text></TEI>