<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text xml:id="eng"><body><div n="urn:cts:greekLit:tlg0007.tlg084a.perseus-eng3" type="translation" xml:lang="eng"><div type="textpart" subtype="section" n="106"><p rend="indent">Why do the Romans reverence Fortuna Primigenia,<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign> 281 e, <foreign xml:lang="lat">supra</foreign>, 322 f, <foreign xml:lang="lat">infra</foreign>; Cicero, <title rend="italic" xml:lang="lat">De Legibus</title>, ii. 11; Livy, xxxiv. 53.</note> or <q>First-born,</q> as one might translate it? </p><p rend="indent">Is it because by Fortune, as they say, it befell Servius, born of a maidservant, to become a famous king of Rome? This is the assumption which the majority of Romans make. </p><p rend="indent">Or is it rather because Fortune supplied the origin and birth of Rome?<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign> 320 b ff., <foreign xml:lang="lat">infra</foreign>.</note> </p><p rend="indent">Or does the matter have an explanation more natural and philosophic, which assumes that Fortune is the origin of everything, and Nature acquires its solid frame by the operation of Fortune, whenever order is created in any store of matter gathered together at haphazard. </p></div><div type="textpart" subtype="section" n="107"><p rend="indent">Why do the Romans call the Dionysiac artists<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign><title rend="italic" xml:lang="lat">Moralia</title>, 87 f.</note> <foreign xml:lang="lat">histriones</foreign> <note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign> Livy, vii. 2; closely followed by Valerius Maximus, ii. 4. 4.</note>? </p><p rend="indent">Is it for the reason that Cluvius Rufus<note resp="editor" place="unspecified" anchored="true">Peter, <title rend="italic" xml:lang="lat">Frag. Hist. Rom.</title> p. 314, Cluvius, Frag. 4.</note> has recorded? For he states that in very ancient times, in the consulship of Gaius Sulpicius and Licinius Stolo,<note resp="editor" place="unspecified" anchored="true">In 361 b.c.</note> a pestilential disease arose in Rome and destroyed to a man all persons appearing on the stage. Accordingly, at the request of the Romans, there came many excellent artists from Etruria, of whom the first in repute and the one who for the longest time enjoyed success in their theatres, was named Hister: and therefore ali actors are named <foreign xml:lang="lat">histriones</foreign> from him. <pb xml:id="v.4.p.161"/> </p></div><div type="textpart" subtype="section" n="108"><p rend="indent">Why do they not marry women who are closely akin to them? </p><p rend="indent">Do they wish to enlarge their relationships by marriage and to acquire many additional kinsmen by bestowing wives upon others and receiving wives from others? </p><p rend="indent">Or do they fear the disagreements which arise in marriages of near kin, on the ground that these tend to destroy natural rights? </p><p rend="indent">Or, since they observed that women by reason of their weakness need many protectors, were they not willing to take as partners in their household women closely akin to them, so that if their husbands wronged them, their kinsmen might bring them succour? </p></div><div type="textpart" subtype="section" n="109"><p rend="indent">Why was it not permitted for the priest of Jupiter, whom they call the <foreign xml:lang="lat">Flamen Dialis</foreign>, to touch either flour or yeast?<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign> Aulus Gellius, x. 15. 19.</note> </p><p rend="indent">Is it because flour is an incomplete and crude food? For neither has it remained what it was, wheat, nor has it become what it must become, bread; but it has both lost the germinative power of the seed and at the same time it has not attained to the usefulness of food. Wherefore also the Poet by a metaphor applied to barley-meal the epithet <foreign xml:lang="lat">mylephatosas</foreign>,<note resp="editor" place="unspecified" anchored="true">Homer, <title rend="italic">Od.</title> ii. 355: <q>mill-slaughtered.</q> </note> if it were being killed or destroyed in the grinding. </p><p rend="indent">Yeast is itself also the product of corruption, and produces corruption in the dough with which it is mixed: for the dough becomes flabby and inert, and altogether the process of leavening seems to be one of putrefaction<note resp="editor" place="unspecified" anchored="true"><foreign xml:lang="lat">Cf.</foreign><title rend="italic" xml:lang="lat">Moralia</title>, 659 b.</note>; at any rate if it goes too far, it completely sours and spoils the flour. <pb xml:id="v.4.p.163"/> </p></div></div></body></text></TEI>