So there were three choirs,Pollux, , iv. 107, says that the three choirs were established by Tyrtacus. corresponding to the three periods of life, which were made up at their festivals, and the choir of old men would begin with this song Cf. , 544 e; Plutarch’s , chap. xxi. (53 b). Other references may be found in Bergk, iii. p. 661, or Diehl, , ii. p. 197, or Edmonds, (in the L.C.L.), iii. p. 530.: Young valiant men long days ago were we. Then the choir of men in the prime of life would sing in response, And that are we; look, if you will, and see. And the third choir, that of the boys, would sing, And better far ’tis certain we shall be.

Moreover the rhythmic movement of their marching songs was such as to excite courage and boldness, and contempt for death; and these they used both in dancing, and also to the accompaniment of the flute when advancing upon the enemy. In fact, Lycurgus coupled fondness for music with military drill, so that the over-assertive warlike spirit, by being combined with melody, might have concord and harmony. It was for this reason that in time of battle the king offered sacrifice to the Muses before the conflict, so that those who fought should make their deeds worthy to be told and to be remembered with honour.Cf. Plutarch’s , chap. xxi. (53 b-d); Thucydides, v. 70; Dio Chrysostom, ii. 31 M., 92 R.; Athenaeus, 632 f; Valerius Maximus, ii. 6. 2; Bergk, ii. p. 404.

If anyone presumed to transgress in any way the rules of the good old music, they would not permit this; but even Terpander, one of the oldest and the best harp-player of his time as well as a devoted admirer of the deeds of heroes, the Ephors none the less fined, and carried away his instrument and nailed it to a wall because he put in just one extra string for the sake of the variety in the notes; for they approved only the simpler melodies. Moreover, when Timotheus was competing at the Carneian Festival, one of the Ephors took a knife, and asked him on which side he should cut out the superfluous strings beyond the usual seven.For variant versions of the story see the note on , 220 c, supra.

Lycurgus did away with all superstitious fear connected with burials, granting the right to bury the dead within the city, and to have the tombs near the shrines. He also abolished the pollutions associated with death and burial. He permitted the people to bury nothing with their dead, but only to enfold the body in a red robe and olive leaves, and all to treat their dead alike. He also did away with the inscriptions on tombs, except of those who had met their end in war, and also did away with mourning and lamentation.Cf. Plutarch’s , chap. xxvii. (56 a), and Heracleides Ponticus, 2.8, in Müller, ii. p. 211.

It was not allowed them to go abroad, so that they should have nothing to do with foreign ways and undisciplined modes of living.There are many references to the studied isolation of the early Spartans. The most important are Plutarch’s , chap. xxvii. (56 c), and the , chap. x. (799 d); Xenophon, , 14. 4; Aristophanes, , 1012; Aristotle, 543 (ed. Rose). Cf. also the note on , 237 a, supra, and the references given in the Teubner ed. of Plutarch’s (1926), iii. 2, p. 45 (, chap. xxvii.).