The woman who is afraid to laugh and jest a bit with her husband, lest possibly she appear bold and wanton, is no different from one who will not use oil on her head lest she be thought to use perfume, or from one who will not even wash her face lest she be thought to use rouge. But we observe both poets and public speakers, such as try to avoid vulgarity, narrowness, and affectation in their diction, employing all artistry to move and stir the hearer by means of their subject matter, their handling of it, and their portrayal of characters. So too the mistress of the household, just because she avoids and deprecates everything extravagant, meretricious, and ostentatious (and she does well to do so), ought all the more, in the graces of her character and daily life, to employ all artistry upon her husband, habituating him to what is honourable and at the same time pleasant. However, if a woman is naturally uncompromising, arbitrary, and unpleasant, the husband must be considerate, and do as Phocion did when Antipater prescribed for him a dishonourable and unbecoming course of action. Phocion said, You cannot use me as a friend and flatterer both, Cf. Moralia , 64 C, 188 F, 533 D; Plutarch’s Life of Phocion , chap. xxx. (p. 755 B); Life of Agis , chap. ii. (p. 795 E). and so the husband must reason about his virtuous and uncompromising wife, I cannot have the society of the same woman both as wife and as paramour. The women of Egypt, by inherited custom, were not allowed to wear shoes, This is quite contrary to the classical Greek tradition (Herodotus, ii. 35; Sophocles, Oedipus Coloneus 339), which errs just as badly in the other direction. so that they should stay at home all day; and most women, if you take from them gold-embroidered shoes, bracelets, anklets, purple, and pearls, stay indoors. Theano, Wife of Pythagoras the philosopher. The story is told a little more fully by Clement of Alexandria, Stromata , iv. p. 522 c. in putting her cloak about her exposed her arm. Somebody exclaimed, A lovely arm. But not for the public, said she. Not only the arm of the virtuous woman, but her speech as well, ought to be not for the public, and she ought to be modest and guarded about saying anything in the hearing of outsiders, since it is an exposure of herself; for in her talk can be seen her feelings, character, and disposition. Pheidias made the Aphrodite of the Eleans with one foot on a tortoise, Pausanias, vi. 25. 1; cf. also Plutarch, Moralia , 381 E. Roscher, Lexikon d. gr. u. rom. Mythologie , i. p. 412, mentions two ancient bronzes, one Greek and one Etruscan, in which Aphrodite is represented with one foot on a tortoise. to typify for womankind keeping at home and keeping silence. For a woman ought to do her talking either to her husband or through her husband, and she should not feel aggrieved if, like the flute-player, she makes a more impressive sound through a tongue not her own. Rich men and princes by conferring honours on philosophers adorn both themselves and the philosophers; but, on the other hand, philosophers by paying court to the rich do not enhance the repute of the rich but lower their own. So is it with women also; if they subordinate themselves to their husbands, they are commended, but if they want to have control, they cut a sorrier figure than the subjects of their control. And control ought to be exercised by the man over the woman, not as the owner has control of a piece of property, but, as the soul controls the body, by entering into her feelings and being knit to her through goodwill. As, therefore, it is possible to exercise care over the body without being a slave to its pleasures and desires, so it is possible to govern a wife, and at the same time to delight and gratify her.