<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:py="http://codespeak.net/lxml/objectify/pytype" py:pytype="TREE"><text><body><div type="edition" n="urn:cts:engLit:sidney.defence.perseus-eng1" xml:lang="eng"><div type="textpart" subtype="paragraph" xml:base="urn:cts:engLit:sidney.defence.perseus-eng1" n="36"><p resp="perseus">Now in his parts, kindes, or <foreign xml:lang="lat">species, </foreign> as you list to tearme them, it is to be noted, that some <name rend="italic">Poesies</name> haue coupled togither two or three kindes, as the <name rend="italic">Tragicall</name> and <name rend="italic">Comicall</name>, whereupon is risen the <name rend="italic">Tragicomicall</name>, some in the maner haue mingled prose and verse, as <name rend="italic">Sanazara</name> and <name rend="italic">Boetius;</name> some haue mingled matters <name rend="italic">Heroicall</name> and <name rend="italic">Pastorall, </name> but that commeth all to one in this question, for if seuered they be good, the coniunction cannot be hurtfull: therefore perchance forgetting some, and leauing some as needlesse to be remembred. It shall not bee amisse, in a word to cite the speciall kindes, to see what faults may be found in the right vse of them. Is it then the Pastorall <name rend="italic">Poeme</name> which is misliked ? (For perchance where the hedge is lowest they will soonest leape ouer) is the poore pipe disdained, which somtimes out of <name rend="italic">Mælibeus</name> mouth, can shewe the miserie of people, vnder hard Lords and rauening souldiers? And again by <name rend="italic">Titerus, </name> what blessednesse is deriued, to them that lie lowest, from the goodnesse of them that sit highest ? Sometimes vnder the prettie tales of Woolues and sheepe, can enclude the whole considerations of wrong doing and patience; sometimes shew that contentions for trifles, can get but a trifling victory, wher perchance a man may see, that euen <name rend="italic">Alexander &amp; Darius</name>, when they straue who should be Cocke of this worldes dunghill, the benefit they got, was, that the afterliuers may say, <quote xml:lang="lat"><l>Haec memini et victum frustra contendere Thirsim. </l><l>Ex illo Coridon, Coridon est tempore nobis. </l></quote> </p></div><div type="textpart" subtype="paragraph" xml:base="urn:cts:engLit:sidney.defence.perseus-eng1" n="37"><p resp="perseus">Or is it the lamenting <name rend="italic">Elegiack</name>, which in a kinde heart would mooue rather pittie then blame, who bewaileth with the great Philosopher <name rend="italic">Heraclitus, </name> the weakenesse of mankinde, and the wretchednesse of the world: who surely is to bee praised either for compassionate accompanying iust causes of lamentations, or for nightlie painting out how weake be the passions of wofulnesse ? Is it the bitter but wholesome <name rend="italic">Iambick, </name> who rubbes the galled minde, in making shame the Trumpet of villanie, with bolde and open crying out against naughtinesse ? Or the <name rend="italic">Satirick, </name> who <foreign xml:lang="lat">Omne vafer vitium ridenti tandit amico, </foreign> who sportingly, neuer leaueth, till he make a man laugh at follie; and at length ashamed, to laugh at himself; which he cannot auoyde, without auoyding the follie ? who while <foreign xml:lang="lat">Circum præcordia ludit, </foreign> giueth vs to feele how many headaches a passionate life bringeth vs to? How when all is done, <foreign xml:lang="lat">Est Vlubris animus si nos non deficit aquus. </foreign> </p></div><div type="textpart" subtype="paragraph" xml:base="urn:cts:engLit:sidney.defence.perseus-eng1" n="38"><p resp="perseus">No perchance it is the <name rend="italic">Comick, </name> whom naughtie Play-makers and stage-keepers, haue iustly made odious. To the arguments of abuse, I will after answer, onely thus much now is to be said, that the <name rend="italic">Comedy</name> is an imitation of the common errors of our life, which he representeth in the most ridiculous &amp; scornfull sort that may be: so as it is impossible that any beholder can be content to be such a one. Now as in <name rend="italic">Geometrie, </name> the oblique must be knowne as well as the right, and in <name rend="italic">Arithmetick, </name> the odde as well as the euen, so in the actions of our life, who seeth not the filthinesse of euill, wanteth a great foile to perceiue the bewtie of vertue. This doth the Comædie handle so in our priuate and domesticall matters, as with hearing it, wee get as it were an experience what is to be looked for of a niggardly <name rend="italic">Demea, </name> of a craftie <name rend="italic">Dauus, </name> of a flattering <name rend="italic">Gnato, </name> of a vain-glorious <name rend="italic">Thrasa: </name> and not onely to know what effects are to be expected, but to know who be such, by the signifying badge giuen them by the <name rend="italic">Comædient</name>. And litle reason hath any man to say, that men learne the euill by seeing it so set out, since as I said before, there is no man liuing, but by the force truth hath in nature, no sooner seeth these men play their parts, but wisheth them in <name rend="italic">Pistrinum, </name>although perchance the sack of his owne faults lie so behinde his backe, that he seeth not himselfe to dance the same measure: wherto yet nothing can more open his eies, then to see his owne actions contemptibly set forth. So that the right vse of <name rend="italic">Comædie </name>, will I thinke, by no bodie be blamed; and much lesse of the high and excellent <name rend="italic">Tragedie, </name> that openeth the greatest woundes, and sheweth forth the <name rend="italic">Vlcers</name> that are couered with <name rend="italic">Tissue, </name> that maketh Kings feare to be Tyrants, and Tyrants manifest their tyrannicall humours, that with sturring the affects of <name rend="italic">Admiration</name> and <name rend="italic">Comiseration</name>, teacheth the vncertaintie of this world, and vppon how weak foundations guilden roofes are builded: that maketh vs know, <foreign xml:lang="lat">Qui scæptra sæuus duro imperio regit, Timet timentes, metus in authorem redit. </foreign> </p></div><div type="textpart" subtype="paragraph" xml:base="urn:cts:engLit:sidney.defence.perseus-eng1" n="39"><p resp="perseus">But how much it can moue, <name rend="italic">Plutarch</name> yeeldeth a notable testimonie of the abhominable Tyrant <name rend="italic">Alexander</name> <name rend="italic">Pheræus, </name> from whose eyes a <name rend="italic">Tragedie</name> well made and represented, drew abundance of teares, who without all pittie had murthered infinite numbers, and some of his owne bloud: so as he that was not ashamed to make matters for <name rend="italic">Tragedies </name>, yet could not resist the sweete violence of a <name rend="italic">Tragedie</name>. And if it wrought no further good in him, it was, that he in despight of himself, withdrew himselfe from hearkening to that which might mollifie his hardened heart. But it is not the <name rend="italic">Tragedie</name> they do mislike, for it were too absurd to cast our so excellent a representation of whatsoeuer is most woorthie to be learned. </p></div><div type="textpart" subtype="paragraph" xml:base="urn:cts:engLit:sidney.defence.perseus-eng1" n="40"><p resp="perseus">Is it the <name rend="italic">Lyricke</name> that moste displeaseth, who with his tuned <name rend="italic">Lyre</name> and well accorded voice, giueth praise, the reward of vertue, to vertuous acts ? who giueth morall preceptes and naturall Problemes, who sometime raiseth vp his voyce to the height of the heauens, in singing the laudes of the immortall God ? Certainly I must confesse mine owne barbarousnesse, I neuer heard the old Song of <name rend="italic">Percy</name> and <name rend="italic">Duglas</name>, that I founde not my heart mooued more then with a Trumpet ; and yet is it sung but by some blinde Crowder, with no rougher voyce, then rude stile: which being so euill apparelled in the dust and Cobwebbes of that vnciuill age, what would it worke, trimmed in the gorgious eloquence of <name rend="italic">Pindare?</name> In <name rend="italic">Hungarie</name> I haue seene it the manner at all Feastes and other such like meetings, to haue songs of their ancestors valure, which that right souldierlike nation, think one of the chiefest kindlers of braue courage. The incomperable <name rend="italic">Lacedemonians</name>, did not onelie carrie that kinde of <name rend="italic">Musicke</name> euer with them to the field, but euen at home, as such songs were made, so were they all content to be singers of them: when the lustie men were to tell what they did, the old men what they had done, and the yoong what they would doo. And where a man may say that <name rend="italic">Pindare</name> many times praiseth highly Victories of small moment, rather matters of sport then vertue, as it may be answered, it was the fault of the<name rend="italic">Poet </name>, and not of the <name rend="italic">Poetrie</name>; so indeed the chiefe fault was, in the time and custome of the <name rend="italic">Greekes</name>, who set those toyes at so high a price, that <name rend="italic">Phillip</name> of <name rend="italic">Macedon</name> reckoned a horse-race wonne at <name rend="italic">Olympus</name>, among his three fearefull felicities. But as the vnimitable <name rend="italic">Pindare</name> often did, so is that kind most capable and most fit, to awake the thoughts from the sleepe of idlenesse, to embrace honourable enterprises. </p></div></div></body></text></TEI>